Female Psyche and Search for Self-hood in Shashi Deshpande’s The Dark Holds No Terrors

IF 0.4 3区 文学 0 LITERATURE ENGLISH Pub Date : 2021-06-01 DOI:10.34293/ENGLISH.V9I3.3899
P. Joseph, Krishnaraj
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引用次数: 0

Abstract

The place of women in society has differed from culture to culture and from age to age, yet one fact common to almost all societies is that woman has never been considered the equal of men. Her status largely depends on the simple biological fact that she is the bearer of children. In this way her sphere is usually restricted to her familial role. Immemorial woman has been the victim of male domination and oppression and treated like a beast of burden of burden and an object for pleasure. Man has always looked down upon her as the weaker sex, as his property, servile to him. Different religions of the world have given sanction to the female’s subjection to the male members of society, thus perpetuating the women; wives, submit yourselves to your husband’s to the lord woman as regarded subordinate to man because it is believed that she was made out of man. This present paper attempts to analysis researcher’s chosen novel The Dark Holds No Terrors by Shashi Deshpande. Her novels appeared as a voice against the tormented women aimed to create a mass awareness against the suppression and the repression of the corrupted patriarchal society. She focus in her fiction is essentially on women’s role in society.
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莎希·德什潘德《黑暗无所畏惧》中的女性心理与自我追寻
女性在社会中的地位因文化和时代的不同而不同,但几乎所有社会都有一个共同的事实,那就是女性从未被认为与男性平等。她的地位在很大程度上取决于她是孩子的承担者这一简单的生物学事实。通过这种方式,她的活动范围通常局限于她的家庭角色。自古以来,女性一直是男性统治和压迫的受害者,被视为负重的野兽和享乐的对象。男人总是看不起女人,把她当作弱者,当作他的财产,对他卑躬屈膝。世界上不同的宗教都认可女性对社会男性成员的服从,从而使女性永久化;你们作妻子的,要顺服丈夫,顺服主,因为女人是属男人的,因为女人是由男人造的。本文试图分析研究者选择的沙什·德什潘德的小说《黑暗无所畏惧》。她的小说作为一种反对受折磨的女性的声音出现,旨在唤起大众对腐败的男权社会的压迫和压迫的意识。她的小说主要关注女性在社会中的角色。
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来源期刊
ENGLISH
ENGLISH LITERATURE-
CiteScore
0.40
自引率
0.00%
发文量
25
期刊介绍: English is an internationally known journal of literary criticism, published on behalf of The English Association. Each issue contains essays on major works of English literature or on topics of general literary interest, aimed at readers within universities and colleges and presented in a lively and engaging style. There is a substantial review section, in which reviewers have space to situate a book within the context of recent developments in its field, and present a detailed argument. English is unusual among academic journals in publishing original poetry. This policy embodies the view that the critical and creative functions, often so widely separated in the teaching of English, can co-exist and cross-fertilise each other.
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