James Bell’s Narrative of Cecilia Vasa’s Journey to England: Travelogue as Encomium

IF 0.6 2区 文学 0 LITERATURE, BRITISH ISLES ENGLISH LITERARY RENAISSANCE Pub Date : 2021-01-01 DOI:10.1086/711600
A. Swärdh
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Abstract

This essay examines James Bell’s narrative of the Swedish princess Cecilia Vasa’s journey to England in 1564–1565 with focus on the representation of Elizabeth I and Cecilia. The essay argues that the narrative is best understood as a travelogue whose rhetorical function is that of an encomium, celebrating first of all Elizabeth, but also Cecilia and the two women’s relationship. In doing this, the text partakes in contemporary constructions of Elizabeth as potent yet female ruler through its deployment of the so-called rhetoric of love and through its use of iconography that depicts Elizabeth as wise and legitimate ruler. By positing Cecilia as lover of Elizabeth, Bell extends the discourse of love to foreign royalty and a potential political ally; a special bond between the two is set up in ways that would have been accessible to contemporary readers more broadly but also through imagery that would have connected the two in ways open to a more select readership. While the relative status between Elizabeth and Cecilia is maintained throughout the travelogue, Bell celebrates the venture of the journey itself, and thus the meeting of the two women in a way that defines it as a diplomatic exchange with the specific purpose of furthering contact, dialogue, and goodwill between the two countries. [A.S.]
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詹姆斯·贝尔对塞西莉亚·瓦萨英格兰之旅的叙述:作为赞美诗的游记
本文考察了詹姆斯·贝尔对1564-1565年瑞典公主塞西莉亚·瓦萨的英格兰之旅的叙述,重点关注伊丽莎白一世和塞西莉亚的表现。这篇文章认为,最好把叙事理解为一部游记,它的修辞功能是一种赞美,首先是赞美伊丽莎白,还有塞西莉亚和这两个女人的关系。在这样做的过程中,文本参与了伊丽莎白作为强有力的女性统治者的当代建构通过它对所谓的爱的修辞的运用以及通过它对肖像的使用将伊丽莎白描绘成明智而合法的统治者。通过将塞西莉亚定位为伊丽莎白的情人,贝尔将爱的话语扩展到外国皇室和潜在的政治盟友;两者之间的特殊联系建立在更广泛的当代读者可以理解的方式上,但也通过图像将两者联系在一起,向更有选择性的读者开放。虽然伊丽莎白和塞西莉亚之间的相对地位在整个游记中得以保持,但贝尔庆祝了这次冒险之旅本身,因此,这两个女人的会面以一种将其定义为外交交流的方式,其具体目的是促进两国之间的联系、对话和善意。(促销)
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
28
期刊介绍: English Literary Renaissance is a journal devoted to current criticism and scholarship of Tudor and early Stuart English literature, 1485-1665, including Shakespeare, Spenser, Donne, and Milton. It is unique in featuring the publication of rare texts and newly discovered manuscripts of the period and current annotated bibliographies of work in the field. It is illustrated with contemporary woodcuts and engravings of Renaissance England and Europe.
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