{"title":"PERFORMATIVIDADES EN LA FRONTERA POÉTICA Y VISUAL: LA LUZ QUE ME CIEGA E INSTALACIONES DE LA MEMORIA","authors":"Fernanda Moraga","doi":"10.4067/s0719-51762022000200098","DOIUrl":null,"url":null,"abstract":"In this article I propose that the poetic and visual texts La luz que me ciega by Malú Urriola and Paz Errázuriz and Instalaciones de la memoria by Verónica Zóndek and Patricio Luco maintain artistics and politicals proximities that stands on the interdisciplinary dialogue between poetry and photography. Based on this co-presence between word and image, I also propose the performative construction of different artistic-political frontiers that both texts share, which are configured as politics of inclination since they respond critically to the scopic and linguistic regimes that impose what is allowed to be seen and known.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nueva Revista del Pacifico","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4067/s0719-51762022000200098","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
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Abstract
In this article I propose that the poetic and visual texts La luz que me ciega by Malú Urriola and Paz Errázuriz and Instalaciones de la memoria by Verónica Zóndek and Patricio Luco maintain artistics and politicals proximities that stands on the interdisciplinary dialogue between poetry and photography. Based on this co-presence between word and image, I also propose the performative construction of different artistic-political frontiers that both texts share, which are configured as politics of inclination since they respond critically to the scopic and linguistic regimes that impose what is allowed to be seen and known.
在这篇文章中，我认为诗歌和视觉文本《La luz que me ciega》(Malú Urriola和Paz Errázuriz)以及《Instalaciones de La memoria》(Verónica Zóndek和patricia Luco)在诗歌和摄影之间的跨学科对话中保持了艺术和政治的接近性。基于文字和图像之间的共存，我还提出了两种文本共享的不同艺术-政治边界的表演性构建，这些边界被配置为倾向的政治，因为它们对强加于被允许看到和知道的东西的范围和语言制度做出了批判性的反应。
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