Blurred Lines in Allegations of Musical Intertextuality: A Response to Orosz

IF 0.6 0 MUSIC Empirical Musicology Review Pub Date : 2023-08-10 DOI:10.18061/emr.v17i1.9168
Trevor de Clercq, Deborah Wagnon
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Abstract

This commentary responds to Orosz’s recent EMR article, which presents research on the accuracy of user-generated information on the whosampled.com website. In general, we find Orosz’s main conclusions—that the accuracy of an entry tends to relate to the type of sample (direct or interpolated), how distinct the sample is, and the style of music—are convincing and well-supported by examples. That said, we believe Orosz’s ultimate appraisal of the web site as an invaluable resource to be contingent on the user. From the viewpoint of a music theorist such as Orosz, the web site may indeed be a beneficial resource. But for other users, especially students aspiring to create popular music, a lack of education about the legal issues surrounding the web site may foster a problematic perspective on music sampling.
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音乐互文性指控中的模糊界限:对奥罗什的回应
这篇评论回应了Orosz最近的电子病历文章,该文章介绍了对whosampled.com网站上用户生成信息准确性的研究。总的来说,我们发现Orosz的主要结论——条目的准确性往往与样本的类型(直接或插值)、样本的不同程度以及音乐风格有关——是令人信服的,并得到了很好的例子支持。也就是说,我们相信Orosz对网站的最终评价是一种宝贵的资源,取决于用户。从Orosz这样的音乐理论家的角度来看,这个网站可能确实是一个有益的资源。但对于其他用户,尤其是有志于创作流行音乐的学生来说,缺乏对网站法律问题的教育可能会培养他们对音乐采样的看法。
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