The Politics of Polyphony: Dangerous Modernity and the Structure of the Novel in Dostoevsky and Bakhtin

4区 文学 Q4 Arts and Humanities RUSSIAN STUDIES IN LITERATURE Pub Date : 2020-10-01 DOI:10.1080/10611975.2020.2147377
Anatoly V. Korchinsky
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Abstract

ABSTRACT This article offers the hypothesis that, from the standpoint of the “sociological poetics” of the 1920s and contemporary literary epistemology, the structure of the polyphonic novel that Dostoevsky created and Bakhtin conceptualized (firstly in his 1929 book Problems of Dostoevsky’s Art [Problemy tvorchestva Dostoevskogo]) enables a reconstruing of the principles governing the writer’s social imagination along with the political thinking and priorities associated with them. From this standpoint, polyphony can be seen as one of the most fruitful and wholistic artistic interpretations of modern sociality experienced in an era of catastrophe, a sociality requiring a rejection of political action aimed at social change.
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复调的政治:危险的现代性与陀思妥耶夫斯基和巴赫金的小说结构
本文从20世纪20年代的“社会诗学”和当代文学认识论的角度,陀思妥耶夫斯基创作和巴赫金概念化的复调小说的结构(首次出现在他1929年出版的《陀思妥埃夫斯基艺术的问题》一书中)使作家的社会想象原则以及与之相关的政治思想和优先事项得以重建。从这个角度来看,复调可以被视为对灾难时代所经历的现代社会性最富有成效和最全面的艺术诠释之一,这种社会性需要拒绝旨在社会变革的政治行动。
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来源期刊
RUSSIAN STUDIES IN LITERATURE
RUSSIAN STUDIES IN LITERATURE LITERATURE, SLAVIC-
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期刊介绍: Russian Studies in Literature publishes high-quality, annotated translations of Russian literary criticism and scholarship on contemporary works and popular cultural topics as well as the classics. Selections are drawn from the leading literary periodicals including Literaturnaia gazeta (Literary Gazette), Novoe literaturnoe obozrenie (New Literary Review), Oktiabr (October), Voprosy literatury (Problems of Literature), and Znamia (Banner). An editorial introduction to every issue provides context and insight that will be helpful for English-language readers.
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