Reassessing Moscow Conceptualism: The View from the Nest

IF 0.2 2区 艺术学 0 ART ARTMargins Pub Date : 2022-02-01 DOI:10.1162/artm_a_00310
Mary A. Nicholas
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引用次数: 1

Abstract

Abstract This essay argues for a radical reassessment of Moscow Conceptualism to incorporate the underappreciated Nest, the group of artists Gennady Donskoy, Mikhail Roshal, and Victor Skersis active in Moscow from 1974 to 1979. The Nest's emphasis on models of shared artistic investigation, audience autonomy, and unconstructed aesthetic response helped reshape Moscow Conceptualism in the late 1970s and early 1980s, making their experience essential to understanding both the era and the works of particular artists they influenced, including Yuri Albert, Vadim Zakharov, Nadezhda Stolpovskaya, and others. The Nest's focus on alternative media and new genres, particularly on unstructured performative works, helped transform Moscow's unofficial art world, freeing it from lingering insularity and modernist conventions.
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重新评估莫斯科的观念主义:从巢的角度看
摘要本文主张对莫斯科概念主义进行彻底的重新评估,将1974年至1979年活跃在莫斯科的艺术家Gennady Donskoy、Mikhail Roshal和Victor Skersis的团体Nest纳入其中。The Nest对共同艺术调查、观众自主性和未构建的美学反应模式的重视,帮助重塑了20世纪70年代末和80年代初的莫斯科概念主义,使他们的经验对于理解这个时代和他们影响的特定艺术家的作品至关重要,包括尤里·阿尔伯特、瓦迪姆·扎哈罗夫、纳德日达·斯托尔波夫斯卡娅等人。The Nest对另类媒体和新流派的关注,特别是对非结构化表演作品的关注,帮助改变了莫斯科的非官方艺术世界,使其摆脱了挥之不去的孤立和现代主义传统。
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来源期刊
ARTMargins
ARTMargins ART-
CiteScore
0.10
自引率
0.00%
发文量
16
期刊介绍: ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal acts as a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in art and politics in transitional countries and regions; postsocialism and neo-liberalism; postmodernism and postcolonialism, and their critiques; and the problem of global art and global art history and its methodologies.
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