On the Weariness of Time: El Niño in the Philippines

Q1 Arts and Humanities eTropic Pub Date : 2021-09-10 DOI:10.25120/etropic.20.2.2021.3819
C. Benitez
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引用次数: 4

Abstract

As a rehearsal of a “tropical imaginary” that attempts to accentuate the entanglement of literature with the material world, this essay ‘coincides’ Jose F. Lacaba’s 1965 poem “Ang Kapaguran ng Panahon” (“The Weariness of Time”) with the 2015 El Niño phenomenon in the Philippines­ and its violent culmination the following year in Kidapawan City, Cotabato Province, Mindanao. While time or panahon in the Philippine tropics is usually intuited as generative, this essay outlines the possibility of its being worn down, not simply as a “natural” consequence of the present climate emergency, but as a critical outcome of the predominant political infrastructures that practically prohibit the phenomenon of time from unfolding. As such, it becomes imperative to recognize that beyond the current conditions banally imposed as “arog talaga kayan” or “how things really are” is the urgent need for social reform—daring tropical imaginings through which Philippine time can possibly become anew.
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对时间的厌倦:El Niño在菲律宾
作为一种试图强调文学与物质世界纠缠的“热带想象”的预演,这篇文章将何塞·F·拉卡巴1965年的诗歌《时间的疲惫》与2015年菲律宾的厄尔尼诺现象“不谋而合”,并于次年在棉兰老岛哥打巴托省基达帕万市达到暴力高潮。虽然菲律宾热带地区的时间或panahon通常被认为是生成性的,但本文概述了它被消耗的可能性,这不仅仅是当前气候紧急情况的“自然”后果,而是主要政治基础设施的关键结果,这些基础设施实际上禁止了时间现象的发展。因此,我们必须认识到,在目前被平庸地强加为“arog talaga kayan”或“事情的真实情况”的条件之外,迫切需要进行社会改革——大胆的热带想象,通过这些想象,菲律宾的时代可能会重新开始。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
eTropic
eTropic Arts and Humanities-Literature and Literary Theory
CiteScore
2.00
自引率
0.00%
发文量
27
审稿时长
12 weeks
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