In defence of deus ex machina

IF 0.4 4区 艺术学 0 FILM, RADIO, TELEVISION Journal of Screenwriting Pub Date : 2022-07-01 DOI:10.1386/josc_00091_1
Veiko Vaatmann
{"title":"In defence of deus ex machina","authors":"Veiko Vaatmann","doi":"10.1386/josc_00091_1","DOIUrl":null,"url":null,"abstract":"The use of the deus ex machina in modern films is examined in this article. The deus ex machina is a device which is sometimes brought into play in a story as a last-resort effort to save the protagonist by an unexpected external force. Although the use of the device in ancient Greek drama has been rehabilitated, the same cannot be said about its modern use. Because the deus ex machina undermines the audience’s expectations for a story’s resolution, thus decreasing their emotional involvement, in screenwriting manuals, this device is often considered a cheap plot trick or a sign of bad writing. In this article, the functions that the device serves in ancient Greek drama are compared to some of its more successful uses in film narratives, demonstrating that it is a valuable tool which can effectively convey (among other things) a message of unity and hope.","PeriodicalId":41719,"journal":{"name":"Journal of Screenwriting","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Screenwriting","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/josc_00091_1","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0

Abstract

The use of the deus ex machina in modern films is examined in this article. The deus ex machina is a device which is sometimes brought into play in a story as a last-resort effort to save the protagonist by an unexpected external force. Although the use of the device in ancient Greek drama has been rehabilitated, the same cannot be said about its modern use. Because the deus ex machina undermines the audience’s expectations for a story’s resolution, thus decreasing their emotional involvement, in screenwriting manuals, this device is often considered a cheap plot trick or a sign of bad writing. In this article, the functions that the device serves in ancient Greek drama are compared to some of its more successful uses in film narratives, demonstrating that it is a valuable tool which can effectively convey (among other things) a message of unity and hope.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
为机器解围辩护
这篇文章考察了在现代电影中使用的双杀手法。二人组是一种装置,有时会在故事中发挥作用,作为意外外力拯救主人公的最后手段。尽管这种装置在古希腊戏剧中的使用已经恢复,但其现代用途却不能如此。因为在编剧手册中,这种装置通常被认为是一种廉价的情节技巧或糟糕写作的标志,因为这种装置破坏了观众对故事分辨率的期望,从而减少了他们的情感参与。在这篇文章中,将该装置在古希腊戏剧中的功能与它在电影叙事中的一些更成功的用途进行了比较,表明它是一种有价值的工具,可以有效地传达(除其他外)团结和希望的信息。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
CiteScore
0.80
自引率
0.00%
发文量
21
期刊介绍: The Journal of Screenwriting aims to explore the nature of writing for the moving image in the broadest sense, highlighting current academic thinking around scriptwriting whilst also reflecting on this with a truly international perspective and outlook. The journal will encourage the investigation of a broad range of possible methodologies and approaches to studying the scriptwriting form, in particular: the history of the form, contextual analysis, the process of writing for the moving image, the relationship of scriptwriting to the production process and how the form can be considered in terms of culture and society. The journal also aims to encourage research in the field of screenwriting and the linking of scriptwriting practice to academic theory, and to support and promote conferences and networking events on this subject.
期刊最新文献
How backstory and direct address reformulate the Shakespearean character on television: The case of the missing psychological motivation for House of Cards’ Frank Underwood Scripted resonance or lost in translation?: Storytelling and Chinese reception of Everything Everywhere All at Once In Custody: From written text to audio-visual discourse through a postcolonial lens Why The Knockout (2023) became a phenomenal hit: A contextual analysis and interview with screenwriter Zhu Junyi1 Filmish energy: A textual analysis of Tony Gilroy’s screenplay, Michael Clayton (2006)
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1