Port in a Storm: Arriving at a Virtual Theatre Through the Pandemic of 2020

IF 0.4 0 LITERATURE, AMERICAN Eugene O Neill Review Pub Date : 2021-04-03 DOI:10.5325/eugeoneirevi.42.1.0054
A. Roe
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引用次数: 1

Abstract

abstract:This article recounts the transition of a New York City resident theatre from staging quarterly, live, in-person performances to broadcasting weekly, live-streamed, remote readings, a response to the closing of theatres during the 2020 pandemic. Part memoir, part instruction manual, part meditation, the article includes the artistic director’s personal reflections on the journey, advice on virtual theatre production, and observations of core theatrical values revealed by the search for theatre’s substitute. The article concludes by drawing lessons from the work of the Provincetown Players learned by confronting a social, medical, and cultural crisis 100 years later.
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风暴中的港口:在2020年的大流行病中抵达虚拟剧院
本文讲述了纽约市一家常驻剧院从每季度举行一次现场表演到每周播放一次现场直播远程阅读的转变,这是对2020年大流行期间剧院关闭的回应。这篇文章部分是回忆录,部分是指导手册,部分是冥想,包括艺术总监对这段旅程的个人反思,对虚拟戏剧制作的建议,以及对寻找戏剧替代品所揭示的核心戏剧价值的观察。文章最后总结了Provincetown Players在100年后面对社会、医疗和文化危机时所吸取的经验教训。
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来源期刊
Eugene O Neill Review
Eugene O Neill Review LITERATURE, AMERICAN-
CiteScore
0.10
自引率
66.70%
发文量
27
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