{"title":"Visionaries and Stewards","authors":"A. Goerlitz","doi":"10.1086/712744","DOIUrl":null,"url":null,"abstract":"For fifty years, the Smithsonian American Art Museum (SAAM) has fostered new scholarship through its residential fellowship program, the oldest and largest in the world for the study of American art. This essay chronicles the program’s growth, probes its prehistory, and introduces Smithsonian figures key to its formation and development. It argues that SAAM’s program emerged from the confluence of three factors: the Smithsonian’s long-standing commitment to national education and research, a new institutional investment in the arts and humanities beginning at midcentury, and the strategic appointment of several Smithsonian leaders and administrators between 1964 and 1970. On the golden anniversary of the program’s founding in 2020, this introduction and the commentaries that follow it engage with the newly created SAAM fellowship archive to reflect on this institutional milestone. Using historical records and ephemera, authors for this iteration of Collaboration2 commemorate and critically assess the SAAM fellowship program’s history and influence on the greater field of American art.","PeriodicalId":43434,"journal":{"name":"American Art","volume":"34 1","pages":"2 - 11"},"PeriodicalIF":0.3000,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/712744","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"American Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/712744","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
For fifty years, the Smithsonian American Art Museum (SAAM) has fostered new scholarship through its residential fellowship program, the oldest and largest in the world for the study of American art. This essay chronicles the program’s growth, probes its prehistory, and introduces Smithsonian figures key to its formation and development. It argues that SAAM’s program emerged from the confluence of three factors: the Smithsonian’s long-standing commitment to national education and research, a new institutional investment in the arts and humanities beginning at midcentury, and the strategic appointment of several Smithsonian leaders and administrators between 1964 and 1970. On the golden anniversary of the program’s founding in 2020, this introduction and the commentaries that follow it engage with the newly created SAAM fellowship archive to reflect on this institutional milestone. Using historical records and ephemera, authors for this iteration of Collaboration2 commemorate and critically assess the SAAM fellowship program’s history and influence on the greater field of American art.
50年来,史密森尼美国艺术博物馆(Smithsonian American Art Museum, SAAM)通过其住宿奖学金项目培养了新的奖学金,这是世界上最古老、规模最大的美国艺术研究项目。这篇文章记录了该计划的发展,探讨了它的史前,并介绍了史密森尼的关键人物,它的形成和发展。它认为,SAAM的计划源于三个因素的汇合:史密森尼对国家教育和研究的长期承诺,世纪中叶开始对艺术和人文学科的新机构投资,以及1964年至1970年间对几位史密森尼领导人和行政人员的战略任命。2020年是该项目成立的黄金周年纪念日,本介绍和后续评论与新创建的SAAM奖学金档案一起反思这一机构里程碑。作者利用历史记录和蜉蝣,对SAAM奖学金项目的历史和对美国艺术更大领域的影响进行了纪念和批判性评估。
期刊介绍:
American Art is a peer-reviewed journal dedicated to exploring all aspects of the nation"s visual heritage from colonial to contemporary times. Through a broad interdisciplinary approach, American Art provides an understanding not only of specific artists and art objects, but also of the cultural factors that have shaped American art over three centuries of national experience. The fine arts are the journal"s primary focus, but its scope encompasses all aspects of the nation"s visual culture, including popular culture, public art, film, electronic multimedia, and decorative arts and crafts. American Art embraces all methods of investigation to explore America·s rich and diverse artistic legacy, from traditional formalism to analyses of social context.