Some Distinctive Features of Narrative Environments

Q1 Arts and Humanities Interiority Pub Date : 2018-07-30 DOI:10.7454/IN.V1I2.20
Patricia Austin
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引用次数: 6

Abstract

This paper explores key characteristics of spatial narratives, which are called narrative environments here. Narrative environments can take the form of exhibitions, brand experiences and certain city quarters where stories are deliberately being told in, and through, the space. It is argued that narrative environments can be conceived as being located on a spectrum of narrative practice between media-based narratives and personal life narratives. While watching a screen or reading a book, you are, although often deeply emotionally immersed in a story, always physically ‘outside’ the story. By contrast, you can walk right into a narrative environment, becoming emotionally, intellectually and bodily surrounded by, and implicated in, the narrative. An experience in a narrative environment is, nonetheless, different from everyday experience, where the world, although designed, is not deliberately constituted by others intentionally to imbed and communicate specific stories. The paper proposes a theoretical framework for space as a narrative medium and offers a critical analysis of two case studies of exhibitions, one in a museum and one in the public realm, to support the positioning of narrative environments in the centre of the spectrum of narrative practice.
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叙述环境的一些特点
本文探讨了空间叙事的主要特征,这里称之为叙事环境。叙事环境可以采取展览、品牌体验和某些城市街区的形式,在这些地方,故事被有意地在空间中讲述。有人认为,叙事环境可以被认为位于基于媒体的叙事和个人生活叙事之间的一系列叙事实践中。当你看屏幕或看书时,尽管你经常深深地沉浸在一个故事中,但你的身体总是在故事之外。相比之下,你可以直接进入叙事环境,在情感、智力和身体上都被叙事所包围,并被叙事所牵连。然而,叙事环境中的体验与日常体验不同,在日常体验中,世界虽然是设计的,但并不是由其他人故意构建的,目的是嵌入和传达特定的故事。本文提出了空间作为叙事媒介的理论框架,并对博物馆和公共领域的两个展览案例进行了批判性分析,以支持叙事环境在叙事实践光谱中心的定位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Interiority
Interiority Arts and Humanities-Visual Arts and Performing Arts
CiteScore
2.10
自引率
0.00%
发文量
16
审稿时长
10 weeks
期刊最新文献
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