A New Paradigm in Chinese Contemporary Art History Writing1

IF 0.4 3区 哲学 0 ASIAN STUDIES CONTEMPORARY CHINESE THOUGHT Pub Date : 2020-01-02 DOI:10.1080/10971467.2020.1768755
Luo Le
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Abstract

Abstract This paper explores Zha Changping’s humanistic criticism of pioneering Chinese art as a new paradigm in art criticism after the postmodern disintegration of traditional art history with its linear art history writing. It introduces the “seven forming factors” at the heart of Zha’s “world relational aesthetics,” which, on one hand, gauges the pulse of the time, while on the other hand seeking to uncover the underlying relational logic informing this generation of pioneering artists’ intellectual outlook and artistic output.
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中国当代艺术史写作的新范式1
摘要本文以线性的艺术史写作,探讨了在传统艺术史后现代解体后,作为艺术批评新范式的查昌平对开创中国艺术的人文批评。它介绍了扎“世界关系美学”核心的“七个形成因素”,一方面,它测量了时代的脉搏,另一方面,试图揭示这一代先锋艺术家的知识观和艺术输出的内在关系逻辑。
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期刊介绍: This wide ranging journal is essential reading for anyone who wants to understand the diverse themes and influences that shape Chinese thought today. It features translations of the most current and influential Chinese writings on all aspects of philosophical endeavor, from theoretical essays on systems to studies of China"s cultural and religious development, from interpretations of the Chinese classics to exegeses on Marxist thought.
期刊最新文献
An Outline of Wang Chuanshan’s Dialectics A Brief Account of the Transformation in Style of Learning in the Late Ming Dynasty Editor’s Note The Historical Dynamics of Chinese Thought and the Thesis of Early Enlightenment: An Introduction to the Philosophy of Xiao Jiefu A Critical Biography of Xiao Jiefu
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