Reading through Albert Kahn’s Library: French Art Deco and the Architect of Detroit

A. Fraser
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Abstract

What does it mean to read through a library? Can viewing objects through their collector, rather than their user or even their maker, offer a worthwhile lens through which to understand a design culture? This article addresses those questions by unpacking the remarkable collection of 1920s French decorative arts folios from the shelves of the office library of architect Albert Kahn (1869–1942). Overwhelmingly remembered for his practice in industrial architecture, I ask why we might find these folios of French articles de luxe in the collection of a factory architect from Detroit. While it may be tempting to see Kahn’s project of bureaucratic or factory architecture in stark contrast to the contemporaneous burst of moderne luxury home goods across the Atlantic, this study prompts a reconsideration of how the form and purpose of these prints might have been implicated in, and resonated with, a culture of design and production in the Motor City.
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阅读阿尔伯特·卡恩的图书馆:法国装饰艺术与底特律建筑师
通读图书馆是什么意思?通过藏品的收藏者,而不是它们的使用者甚至制造者来观察这些物品,是否能为我们理解设计文化提供一个有价值的视角?本文通过打开建筑师Albert Kahn(1869-1942)办公室图书馆书架上的20世纪20年代法国装饰艺术作品集来解决这些问题。他在工业建筑方面的实践让人印象深刻,我问为什么我们会在底特律的工厂建筑师的收藏中发现这些法国作品。虽然我们很容易看到卡恩的官僚主义或工厂建筑项目与大西洋彼岸的现代奢侈品形成鲜明对比,但这项研究促使我们重新思考这些版画的形式和目的可能与汽车城的设计和生产文化有何关联,并与之产生共鸣。
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