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:Art and Ocean Objects of Early Modern Eurasia: Shells, Bodies, and Materiality 现代欧亚大陆早期的艺术和海洋物品:贝壳、身体和物质性
Marsely Kehoe
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引用次数: 0
:Rhapsodic Objects: Art, Materiality, Agency :狂想曲:艺术,物质性,能动性
Antonia Behan
Previous articleNext article Book ReviewsRhapsodic Objects: Art, Materiality, Agency. Yaëlle Biro and Noémie Étienne, eds. Berlin: De Gruyter, 2022. 236 pp.; 88 color ills. Cloth $80.00. ISBN 9783110656640Antonia BehanAntonia Behan Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by West 86th Volume 30, Number 1Spring–Summer 2023 Sponsored by the Bard Graduate Center, New York Article DOIhttps://doi.org/10.1086/728343 © Copyright 2023 by The Bard Graduate Center: Decorative Arts, Design History, and Material Culture. All rights reserved.PDF download Crossref reports no articles citing this article.
上一篇文章下一篇书评《音乐对象:艺术、物质性、能动性》Yaëlle比罗和诺萨梅Étienne编。柏林:De Gruyter, 2022。236页;88色病。布80.00美元。ISBN 9783110656640Antonia BehanAntonia Behan搜索作者更多文章PDFPDF plus全文添加到收藏列表下载CitationTrack CitationsPermissionsReprints转载分享于facebook twitterlinkedinredditemailprint SectionsMoreDetailsFiguresReferencesCited by West 86 Volume 30, Number 1春夏2023年由纽约巴德研究生中心主办文章doi://doi.org/10.1086/728343©版权2023 by巴德研究生中心:装饰艺术,设计历史和物质文化。Crossref报告没有引用这篇文章的文章。
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引用次数: 0
Bernat Klein: Design in Colour 伯纳特·克莱恩:色彩设计
Christine Boydell
Previous articleNext article Exhibition ReviewsBernat Klein: Design in Colour National Museums of Scotland, EdinburghNOVEMBER 5, 2022–APRIL 23, 2023 Catalogue. Bernat Klein. Edited by Mary Schoeser and Alison Harley. Glasgow: Bernat Klein Foundation, 2022. 224 pp.; 250 ills. Paper £35. ISBN 9781399930598Christine BoydellChristine Boydell Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by West 86th Volume 30, Number 1Spring–Summer 2023 Sponsored by the Bard Graduate Center, New York Article DOIhttps://doi.org/10.1086/728345 © Copyright 2023 by The Bard Graduate Center: Decorative Arts, Design History, and Material Culture. All rights reserved.PDF download Crossref reports no articles citing this article.
上一篇文章下一篇文章展览回顾伯纳特·克莱因:色彩设计爱丁堡苏格兰国家博物馆2022年11月5日- 2023年4月23日目录。Bernat克莱因。玛丽·舍泽和艾莉森·哈雷编辑。格拉斯哥:伯纳特克莱因基金会,2022。224页;250年问题。纸£35。ISBN 9781399930598Christine BoydellChristine Boydell搜索本文作者更多文章PDFPDF plus全文添加到收藏列表下载CitationTrack CitationsPermissionsReprints转载分享在facebook twitterlinkedinredditemailprint SectionsMoreDetailsFiguresReferencesCited by West 86卷30,编号1春夏2023年由纽约巴德研究生中心主办文章DOIhttps://doi.org/10.1086/728345©版权2023由巴德研究生中心:装饰艺术,设计历史和物质文化。Crossref报告没有引用这篇文章的文章。
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引用次数: 0
Korean Fashion: From Royal Court to Runway 韩国时尚:从宫廷到秀场
Minjee Kim
Previous articleNext article Exhibition ReviewsKorean Fashion: From Royal Court to Runway The George Washington University Museum and the Textile MuseumAUGUST 19–DECEMBER 22, 2022Hallyu! The Korean WaveVictoria and Albert Museum in LondonSEPTEMBER 24, 2022–JUNE 25, 2023 Catalogue. Hallyu! The Korean Wave. Edited by Rosalie Kim. London: V&A, 2022. 240 pp., ills. throughout. Cloth, $40. ISBN 9781838510336Minjee KimMinjee Kim Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by West 86th Volume 30, Number 1Spring–Summer 2023 Sponsored by the Bard Graduate Center, New York Article DOIhttps://doi.org/10.1086/728344 © Copyright 2023 by The Bard Graduate Center: Decorative Arts, Design History, and Material Culture. All rights reserved.PDF download Crossref reports no articles citing this article.
上一篇文章下一篇文章展览回顾韩国时尚:从皇家宫廷到秀场乔治华盛顿大学博物馆和纺织博物馆2022年8月19日至12月22日韩流!伦敦维多利亚和阿尔伯特博物馆,韩国流,2022年9月24日- 2023年6月25日目录。韩流!韩流。罗莎莉·金编辑。伦敦:V&A, 2022。240页,弊病。在。布,40美元。ISBN 9781838510336 minjee KimMinjee金正日寻找更多的文章作者PDFPDF PLUSFull文本添加到favoritesDownload CitationTrack CitationsPermissionsReprints分享onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited通过西86卷30,2023春夏装数量由巴德研究生中心,纽约DOIhttps条:/ / doi.org/10.1086/728344版权©2023年诗人研究生中心:装饰艺术设计历史和物质文化。Crossref报告没有引用这篇文章的文章。
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引用次数: 0
:The Art of Cloth in Mughal India :印度莫卧儿王朝的布艺
Sugata Ray
Previous articleNext article Book ReviewsThe Art of Cloth in Mughal India. Sylvia Houghteling. Princeton, NJ: Princeton University Press, 2022. 280 pp.; 162 color ills., 1 table. Hardcover $65.00. ISBN 9780691215785Sugata RaySugata Ray Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by West 86th Volume 30, Number 1Spring–Summer 2023 Sponsored by the Bard Graduate Center, New York Article DOIhttps://doi.org/10.1086/728338 © Copyright 2023 by The Bard Graduate Center: Decorative Arts, Design History, and Material Culture. All rights reserved.PDF download Crossref reports no articles citing this article.
上一篇文章下一篇文章书评印度莫卧儿王朝的布艺。西尔维娅Houghteling。普林斯顿,新泽西州:普林斯顿大学出版社,2022。280页;162色病。, 1表。精装书65.00美元。ISBN 9780691215785 sugata RaySugata射线寻找更多的文章作者PDFPDF PLUSFull文本添加到favoritesDownload CitationTrack CitationsPermissionsReprints分享onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited通过西86卷30,2023春夏装数量由巴德研究生中心,纽约DOIhttps条:/ / doi.org/10.1086/728338版权©2023年诗人研究生中心:装饰艺术设计历史和物质文化。Crossref报告没有引用这篇文章的文章。
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引用次数: 0
“The Uniformity of a Distinctive National Character”: Loops, Knots, and Bernardo de Gálvez’s Calligraphic Equestrian Portrait “一个独特的民族性格的统一性”:圈,结,和伯纳德·德Gálvez的书法马术肖像
Aaron M. Hyman
This essay treats an extraordinary equestrian portrait of the New Spanish viceroy Bernardo de Gálvez created from little more than a looping, calligraphic line. Unique among viceregal painting, it has eluded definitive scholarly interpretation. A previously unexplored, printed calligraphic model is proposed. At stake, however, is not just source hunting but a reappraisal of the picture’s intellectual context within a network of the period’s renowned academicians and their thinking about handwriting. Moreover, new technical findings allow a revised dating of the picture in exposing the sitter’s shifting identity. What emerges is a political reading of the portrait’s original function as an act of deference to the Spanish crown and sign of investment in the renewal of Iberian culture’s proper formation of imperial citizens—on both sides of the Atlantic. Ultimately, the essay thus points to the art-historical potential of wrestling with the history of writing, a domain often segregated from other visual arts but one that was critical for early modern artists and their audiences.
这篇文章处理了一幅非凡的西班牙新总督贝尔纳多·德Gálvez的骑马肖像,它仅仅是用一条循环的书法线条创作的。在总督的画作中,这幅画是独一无二的,它没有得到明确的学术解释。提出了一种以前未开发的印刷书法模型。然而,重要的不仅仅是寻找来源,而是在这一时期著名学者的网络中重新评估这幅画的知识背景,以及他们对笔迹的思考。此外,新的技术发现允许对照片的年代进行修正,以揭示模特身份的变化。这幅画像最初的功能是一种政治解读,它是对西班牙王室的一种顺从,也是在大西洋两岸对伊比利亚文化适当形成帝国公民的复兴进行投资的标志。最终,这篇文章指出了与写作历史斗争的艺术史潜力,这一领域通常与其他视觉艺术相分离,但对早期现代艺术家和他们的观众至关重要。
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引用次数: 0
Process: Design Drawings from the Rijksmuseum, 1500–1900 制作过程:来自荷兰国立博物馆的设计图纸,1500-1900
Charles Parley
Previous article Exhibition ReviewsProcess: Design Drawings from the Rijksmuseum, 1500–1900 Design Museum Den Bosch, ‘s HerzogenboschNOVEMBER 5, 2022–FEBRUARY 12, 2023Fondation Custodia, ParisFEBRUARY 25–MAY 14, 2023 Catalogue. Process: Design Drawings from the Rijksmuseum, 1500–1900. Reinier Baarsen. Rotterdam: nai010 publishers, 2022. 404 pp.; 250 b/w ills. Paper €59.95. ISBN 9789462087354Charles ParleyCharles Parley Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by West 86th Volume 30, Number 1Spring–Summer 2023 Sponsored by the Bard Graduate Center, New York Article DOIhttps://doi.org/10.1086/728346 © Copyright 2023 by The Bard Graduate Center: Decorative Arts, Design History, and Material Culture. All rights reserved.PDF download Crossref reports no articles citing this article.
上一篇展览回顾过程:来自荷兰国立博物馆的设计图纸,1500-1900设计博物馆登博斯,赫尔佐根博物馆,2022年11月5日- 2023年2月12日巴黎基金会保管,2023年2月25日- 5月14日目录。制作过程:来自荷兰国立博物馆的设计图纸,1500-1900。瑞尼Baarsen。鹿特丹:nai010出版社,2022。404页;250桶/桶。纸€59.95。ISBN 9789462087354Charles ParleyCharles Parley搜索作者更多文章PDFPDF plus全文添加到收藏列表下载CitationTrack CitationsPermissionsReprints转载分享于facebook twitterlinkedinredditemailprint SectionsMoreDetailsFiguresReferencesCited by West 86 Volume 30, Number 1春夏2023年由纽约巴德研究生中心主办文章doi: https://doi.org/10.1086/728346©版权2023由巴德研究生中心:装饰艺术,设计历史和物质文化。Crossref报告没有引用这篇文章的文章。
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引用次数: 0
Notes on the Prehistory of Camouflage and Mimicry as Cultural Techniques 伪装与拟态作为文化技术的史前史注释
Caroline van Eck
The relations between human and animal camouflage have rarely been investigated. Current scholarship, focusing on the evolutionary and military aspects of camouflage, has overshadowed earlier thinking about camouflage and mimicry as shared animal and human features. Reconstructing some of the main elements of those early views, this article argues that, in humans, camouflage should be considered as a cultural technique. Three stages in the “prehistory” of camouflage, which are also three varieties of cultural contexts, are discussed: the hunt, in which camouflage behavior is shared by animals and humans; camouflage behavior among humans, analyzed in terms of simulation and conceived or figured in terms of animal behavior; and camouflage seen as the manifestation of emerging human material culture.
人类和动物伪装之间的关系很少被研究。目前的学术研究集中在伪装的进化和军事方面,这掩盖了早期关于伪装和模仿是动物和人类共同特征的想法。本文通过重构这些早期观点的一些主要元素,认为在人类中,伪装应该被视为一种文化技术。本文讨论了伪装“史前”的三个阶段,也就是三种不同的文化背景:狩猎时期,动物和人类都有伪装行为;人类的伪装行为,从模拟的角度来分析,从动物行为的角度来构思或描绘;迷彩被视为新兴人类物质文化的表现。
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引用次数: 0
:The Material Culture of Basketry: Practice, Skill and Embodied Knowledge :编织的物质文化:实践、技巧和体现的知识
Jennifer Way
Previous articleNext article Book ReviewsThe Material Culture of Basketry: Practice, Skill and Embodied Knowledge. Stephanie Bunn and Victoria Mitchell, eds. London: Bloomsbury Visual Arts, 2021. 312 pp.; 143 color ills. Paper $37.95. ISBN 9781350094031Jennifer WayJennifer Way Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by West 86th Volume 30, Number 1Spring–Summer 2023 Sponsored by the Bard Graduate Center, New York Article DOIhttps://doi.org/10.1086/728341 © Copyright 2023 by The Bard Graduate Center: Decorative Arts, Design History, and Material Culture. All rights reserved.PDF download Crossref reports no articles citing this article.
上一篇文章下一篇文章书评编织的物质文化:实践、技巧和体现知识。斯蒂芬妮·邦恩和维多利亚·米切尔主编。伦敦:布卢姆斯伯里视觉艺术,2021。312页;143色病。论文37.95美元。ISBN 9781350094031Jennifer Way本文作者搜索更多文章PDFPDF plus全文添加到收藏列表下载CitationTrack CitationsPermissionsReprints转载分享于facebook twitterlinkedinredditemailprint SectionsMoreDetailsFiguresReferencesCited by West 86 Volume 30, Number 1春夏2023年由纽约巴德研究生中心主办文章doi://doi.org/10.1086/728341©版权2023由巴德研究生中心:装饰艺术,设计历史和物质文化。Crossref报告没有引用这篇文章的文章。
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引用次数: 0
Editor’s Introduction 编辑器的介绍
Paul Stirton
Previous articleNext article FreeEditor’s IntroductionPaul StirtonPaul StirtonBard Graduate Center, New York City, USA Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreCamouflage—the use of visual effects for mimicry, concealment, or deception—emerged as a vital subject for biologists in the nineteenth century. Charles Darwin was only one of many scientists who took an interest in this phenomenon in nature. In the twentieth century, artists became involved, partly out of fascination with these same visual effects but also as a means of exploring how we see and apprehend visual imagery. Caroline van Eck takes a different tack entirely, acknowledging these earlier approaches but exploring camouflage as a cultural technique that ultimately manifests itself in various forms of human material culture. In a wide-ranging article that looks at the work of Vladimir Nabokov, Roger Caillois, Friedrich Nietzsche, and Henri de Saint-Simon, she uncovers ways in which we might reconsider the work of theorists like Gottfried Semper and Alois Riegl, especially with regard to their approach to the cultural meanings of objects. As she writes in her conclusion, this may be a tentative first definition, but it offers “a way of thinking about the relation between nature and culture.”Our other articles are concerned more with specific objects: a late eighteenth-century “calligraphic portrait” of the Spanish Viceroy of Mexico, which reveals something of the culture and politics of Spain’s imperial territory, and a study of the Chelsea ceramic figure modelers of interwar London. In the latter article, Marshall Colman points out that figurative ceramics were at the heart of the studio pottery movement, and while this aspect has survived in the collecting and scholarship of Central Europe, changes in taste have meant that it has been largely ignored in accounts of British ceramics.Aby Warburg’s foray into the ethnography of “Indian” culture in New Mexico and Arizona is a prominent feature in the vast corpus of writings on this foundational scholar of art history and iconography. What is less well known is that he was in contact with Franz Boas, the pioneer of the anthropology of the Indigenous peoples of North America. Their correspondence is published here in translation for the first time, complete with an introduction by Claudia Wedepohl and Brooke Penaloza Patzak. Previous articleNext article DetailsFiguresReferencesCited by West 86th Volume 30, Number 1Spring–Summer 2023 Sponsored by the Bard Graduate Center, New York Article DOIhttps://doi.org/10.1086/728329 © Copyright 2023 by The Bard Graduate Center: Decorative Arts, Design History, and Material Culture. All rights reserved.PDF download Crossref reports no articles citing this article.
上一篇文章下一篇文章免费编辑的介绍保罗·斯特顿保罗·斯特顿巴德研究生中心,美国纽约市搜索本文作者更多文章PDFPDF +全文添加到收藏列表下载CitationTrack citationspermissions转载分享在facebook twitterlinkedinredditemailprint sectionsmoreamouflag利用视觉效果进行模仿、隐藏或欺骗,在19世纪成为生物学家的一个重要课题。查尔斯·达尔文只是众多对自然界中这种现象感兴趣的科学家之一。在20世纪,艺术家们开始参与其中,部分是出于对这些视觉效果的迷恋,同时也是探索我们如何看待和理解视觉图像的一种手段。Caroline van Eck采取了完全不同的策略,她承认这些早期的方法,但将伪装作为一种文化技术探索,最终体现在各种形式的人类物质文化中。在一篇内容广泛的文章中,她考察了弗拉基米尔·纳博科夫、罗杰·卡伊洛斯、弗里德里希·尼采和亨利·德·圣西门的作品,揭示了我们可能重新考虑戈特弗里德·森佩尔和阿洛伊斯·里格尔等理论家的作品的方式,特别是关于他们对物体文化意义的研究方法。正如她在结论中所写的那样,这可能是一个初步的定义,但它提供了“一种思考自然与文化之间关系的方式”。我们的其他文章更关注具体的对象:一幅18世纪晚期西班牙墨西哥总督的“书法肖像”,它揭示了西班牙帝国领土的文化和政治,以及对两次世界大战期间伦敦切尔西陶瓷人物模型师的研究。在后一篇文章中,马歇尔·科尔曼指出,具象陶瓷是工作室陶器运动的核心,虽然这方面在中欧的收藏和学术中幸存下来,但品味的变化意味着它在很大程度上被英国陶瓷的叙述所忽视。阿比·沃伯格(Aby Warburg)对新墨西哥州和亚利桑那州“印第安”文化人种志的探索,是这位艺术史和肖像学基础学者大量著作中的一个突出特点。鲜为人知的是,他与北美原住民人类学的先驱弗朗兹·博阿斯(Franz Boas)有过接触。他们的通信首次在这里翻译出版,并附有Claudia Wedepohl和Brooke Penaloza Patzak的介绍。上一篇文章下一篇文章详细信息图表参考文献引用West 86卷30,第1期2023春夏由纽约巴德研究生中心赞助文章doi://doi.org/10.1086/728329©版权所有2023由巴德研究生中心:装饰艺术,设计历史和物质文化。Crossref报告没有引用这篇文章的文章。
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引用次数: 0
期刊
West 86th-A Journal of Decorative Arts Design History and Material Culture
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