“The Thirteenth Century Men”: Looking to the Past to Critique the Present

Abstract

Admirers of John Ruskin founded the Association for the Advancement of Truth in Art, a short-lived but influential art and political reform movement active from 1863 to 1865. With a stated mission promulgated by a house organ called the New Path, the group’s artists, architects and critics claimed to constitute an art movement. They were bound by formal membership, and all espoused dedication to Ruskin’s medievalism and credo of “truth to nature.” This commitment earned the artists recognition as American Pre-Raphaelites. Their paintings were touted by the New Path as vibrant agents of reform yet were also negatively critiqued for rejecting post-Renaissance illusionism, embracing instead seemingly retrogressive models found in the early Italian paintings. Two collections of early Italian paintings were also on view in New York during the 1860s. These received largely negative popular reception, a response extended to the paintings of the American Pre-Raphaelites. Ironically, these collections introduced American audiences to the early history of Western European painting, ultimately introducing the discipline of art history in the United States.