Comics in and of the Moment. The COVID19 pandemic: a graphic narrative.

IF 0.5 0 HUMANITIES, MULTIDISCIPLINARY Comics Grid-Journal of Comics Scholarship Pub Date : 2021-11-05 DOI:10.16995/cg.6572
M. Lalanda
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Abstract

ABSTRACT FOR GRAPHIC SUBMISSION TO:“COMICS IN AND OF THE MOMENT”. THE COMICS GRIDMónica LalandaBack in March 2020, when it became obvious that we were heading a big global disaster, I created a folder called Coronavirus Graphic Medicine. Since it was a unprecedented health care crisis, I expected a huge amount of art material related directly to the illness, the symptoms, the medical care, tests, treatments…I saw it as a great oportunity to confirm the use of such fabulous communication tool. Everytime I came accross a comic, infographic or cartoon in social media (mostly twitter and Instagram), I’d save it in my folder. I concentrated on work created in spanish but also foreign ones without any text.Within weeks, I was already surprised that the amount of graphic outpour was huge but there was little in terms of “proper” graphic medicine. As I continued to look into it in more detail, analysing all these amazing pieces, I could see that the illness itself was not the main character of the story, the protagonists of the covid-19 crisis were not the patients or the disease. It was clear that there was little contact with the patients, either locked in ther own rooms or in hospitals with no visitors. Covid-19 victims were surprisingly not the real issue. This in itself is very meaningful. .The illustrators also drew a lot about death but little about the dead ones, creamated without witnesses and buried almost in solitute . As the vignettes continued to enter my folder, I could see that somehow they were able to give an amazing narrative of the pandemia, there was hardly any graphic medicine but more of a story about a whole society going through a unique and damaging common experience. A kind of social graphic medicine of some sort. The suffering of a whole society rather than the illness of the individuals.They fitted into various themes that were obviouly catching the artists’ imagination. In my on-going analysis I ended up creating subfolders that allowed me to clasify and study them in a more logical way. These were the issues that gave way to more pieces:- Health care providers as heroes- Health care providers as victims of the system- Coping with the confinement.- The virus itself (anthopromorphism)- Death- “The curve”- Face masks- Timely themes (schools, Halloween, christmas…)- Information for people to avoid illness- vaccinesNow that things have settled, there is a new and different creation with a kind of retrospective eye. Yet again graphic medicine as such is missing. I’ve recently being invited to write the introduction of an anthology of comics about the pandemia where some of the best spanish comic creators have produced their own pieces about covid19. I notice a tendency to search for answers, to look into our society and our communities with some queries, to measure the effect of social inequalities or the importance of belonging, there is a concern about the psicological effect of those deaths that we were not allowed to mourn, the oportunity to value small things that we never noticed before. I almost sense a call to forget the ugly and to rebuild a new society upon the old ashes. It’s surprising the change in tone. Deep pesimism mixed with cheerful expectations.I’d like to create a comic reflecting on the analysis of all those hundreds of cartoons and comics that I’ve been looking at for over a year.My own work during the pandemia has been mostly graphic medicine as such and here is a link to some of it:https://monicalalanda.com/
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当代漫画。新冠肺炎疫情:生动的叙述。
图片提交摘要:“当下的漫画”。COMICS GRIDMónica Lalanda早在2020年3月,当我们正面临一场全球性的大灾难时,我创建了一个名为冠状病毒图形医学的文件夹。由于这是一场前所未有的医疗危机,我期待着大量与疾病、症状、医疗、测试、治疗直接相关的艺术材料……我认为这是一个确认使用这种绝妙的沟通工具的大好机会。每次我在社交媒体(主要是推特和Instagram)上看到漫画、信息图或漫画时,我都会把它保存在文件夹里。我专注于用西班牙语创作的作品,也专注于没有任何文本的外国作品。几周内,我已经感到惊讶的是,图片的数量巨大,但在“适当”的图片医学方面却很少。当我继续更详细地研究它,分析所有这些令人惊叹的片段时,我可以看到疾病本身并不是故事的主角,新冠肺炎危机的主角也不是病人或疾病。很明显,无论是被锁在自己的房间里,还是在没有访客的医院里,他们都很少与病人接触。令人惊讶的是,新冠肺炎患者并不是真正的问题。这本身就很有意义。插画家们也画了很多关于死亡的画,但很少画死者的画,他们在没有目击者的情况下创作,几乎被单独埋葬。当这些小插曲不断进入我的文件夹时,我可以看到,不知何故,它们能够对大流行病进行惊人的叙述,几乎没有任何图形医学,而是一个关于整个社会经历独特而破坏性的共同经历的故事。某种社会图形医学。整个社会的痛苦,而不是个人的疾病。它们融入了各种主题,显然吸引了艺术家的想象力。在我正在进行的分析中,我最终创建了子文件夹,使我能够以更合乎逻辑的方式对它们进行分类和研究。这些问题让位于更多的部分:-作为英雄的医疗保健提供者-作为系统受害者的医疗保健服务提供者-应对禁闭。-病毒本身(Anthropomorphism)-死亡-“曲线”-口罩-及时的主题(学校、万圣节、圣诞节…)-为人们提供避免疾病的信息-疫苗现在事情已经解决,有了一种新的、不同的创造,具有一种回顾性的眼光。然而,图形医学本身又一次缺失了。最近,我受邀撰写了一本关于大流行病的漫画选集,其中一些最优秀的西班牙漫画创作者制作了自己的关于新冠肺炎的作品。我注意到人们倾向于寻找答案,用一些疑问来审视我们的社会和社区,衡量社会不平等的影响或归属感的重要性,人们担心那些我们不被允许哀悼的死亡的心理生态影响,以及珍惜我们以前从未注意到的小事的机会。我几乎感觉到有人呼吁我忘记丑陋,在旧的灰烬上重建一个新的社会。语气的变化令人惊讶。深深的厌恶与愉快的期望交织在一起。我想创作一部漫画,对我看了一年多的数百幅漫画和漫画进行分析。在大流行病期间,我自己的工作主要是图形医学,这里有一些链接:https://monicalalanda.com/
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Comics Grid-Journal of Comics Scholarship
Comics Grid-Journal of Comics Scholarship HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
4
审稿时长
20 weeks
期刊最新文献
An Archive of the New: A Review of Key Terms in Comics Studies On Graphic Scholarship: A Conversation with Nick Sousanis Cartooning with Compassion: A Conversation with Megan Herbert A Map of the Current Cultural Climate in Medicine and Healthcare, and How We Can Change It Of Time, Renewal, and Scholarship: Volume 11 (2021) Wrapped
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