Setting the Story of the Ethiopian Eunuch (Acts 8:26–40) to the Soundtrack of Song of Songs: An Intertextual and Intersectional Performance

F. S. Spencer
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Abstract

This article undertakes an intertextual reading of Acts’s story of the Ethiopian eunuch with Song of Songs, focusing on similar and distinctive aspects of multifaceted characterizations related to sexual identity, social-political status, environmental setting, and religious orientation. This reading highlights two parts of the biblical canon that create limited space for borderline, unconventional persons and practices, particularly pushing normative boundaries pertaining to gender, sexuality, and hierarchy.
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将埃塞俄比亚太监的故事(使徒行传8:26-40)改编为《诗经》的原声音乐:一场文本交织的表演
本文将《使徒行传》中埃塞俄比亚宦官的故事与《诗经》进行互文阅读,重点关注与性身份、社会政治地位、环境和宗教取向相关的多方面特征的相似性和独特性。这篇文章强调了圣经正典的两个部分,它们为边缘的、非传统的人和实践创造了有限的空间,特别是推动了与性别、性和等级制度有关的规范边界。
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来源期刊
CiteScore
0.40
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0.00%
发文量
20
期刊介绍: This innovative and highly acclaimed journal publishes articles on various aspects of critical biblical scholarship in a complex global context. The journal provides a medium for the development and exercise of a whole range of current interpretive trajectories, as well as deliberation and appraisal of methodological foci and resources. Alongside individual essays on various subjects submitted by authors, the journal welcomes proposals for special issues that focus on particular emergent themes and analytical trends. Over the past two decades, Biblical Interpretation has provided a professional forum for pushing the disciplinary boundaries of biblical studies: not only in terms of what biblical texts mean, but also what questions to ask of biblical texts, as well as what resources to use in reading biblical literature. The journal has thus the distinction of serving as a site for theoretical reflection and methodological experimentation.
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