Las ciudades que somos (‘The cities we are’): A review of three Latin American comics by women creators

Q2 Social Sciences Journal of Urban Cultural Studies Pub Date : 2022-12-01 DOI:10.1386/jucs_00059_1
Benjamin Fraser
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Abstract

This short-form article reviews three texts by women comics artists published with publishing house Sexto Piso. María Luque’s graphic novel, titled Casa transparente (‘Transparent house’) (2017), won the first Premio Novela Gráfica Ciudades Iberoamericanas (Ibero-American Cities Graphic Novel Prize) and captures her travels to Bariloche, Rosario, Buenos Aires, Cusco and Mexico City. The volume Las ciudades que somos (‘The cities we are’) (2018), authored by Chicks on Comics, won the second Premio Novela Gráfica Ciudades Iberoamericanas (Ibero-American Cities Graphic Novel Prize). It contains comics in Spanish by an international collective of seven creators from Argentina, Colombia, Holland, Latvia and Singapore (Bas, Caro Chinaski, Clara Lagos, Delius, Power Paola, Weng Pixin and Zane Zlemeša). The third text discussed is Power Paola’s graphic novel Virus tropical (2018), a Künstlerroman or autobiographical portrait of the artist covering her adolescence and family connections to both Ecuador and Colombia.
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《我们所在的城市》(Las ciudades que somos):回顾三部拉丁美洲女性创作者创作的漫画
这篇短文回顾了三篇由Sexto Piso出版社出版的女性漫画艺术家的文本。María Luque的平面小说《透明的房子》(2017年)赢得了第一届Premio Novela Gráfica伊比利亚美洲城市平面小说奖,并记录了她在巴里洛切、罗萨里奥、布宜诺斯艾利斯、库斯科和墨西哥城的旅行。由漫画上的小鸡(Chicks on Comics)撰写的《我们所在的城市》(2018)获得了第二届伊比利亚美洲城市图画小说奖Gráfica。它包含了来自阿根廷、哥伦比亚、荷兰、拉脱维亚和新加坡(Bas、Caro Chinaski、Clara Lagos、Delius、Power Paola、Weng pinxin和Zane Zlemeša)的7位国际创作者的西班牙语漫画。讨论的第三篇文章是鲍尔·保拉(Power Paola)的图画小说《热带病毒》(2018),这是一位艺术家的自传式传记,讲述了她的青春期以及与厄瓜多尔和哥伦比亚的家庭关系。
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来源期刊
Journal of Urban Cultural Studies
Journal of Urban Cultural Studies Social Sciences-Cultural Studies
CiteScore
0.50
自引率
0.00%
发文量
7
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