Hybrid motion illusions as examples of perceptual conflict

A. Shapiro
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Abstract

Shapiro and Hedjar (2019) proposed a shift in the definition of illusion, from ‘differences between perception and reality’ to ‘conflicts between possible constructions of reality’. This paper builds on this idea by presenting a series of motion hybrid images that juxtapose fine scale contrast (high spatial frequency content) with coarse scale contrast-generated motion (low spatial frequency content). As is the case for static hybrid images, under normal viewing conditions the fine scale contrast determines the perception of motion hybrid images; however, if the motion hybrid image is blurred or viewed from a distance, the perception is determined by the coarse scale contrast. The fine scale contrast therefore masks the perception of motion (and sometimes depth) produced by the coarser scale contrast. Since the unblurred movies contain both fine and coarse scale contrast information, but the blurred movies contain only coarse scale contrast information, cells in the brain that respond to low spatial frequencies should respond equally to both blurred and unblurred movies. Since people undoubtedly differ in the optics of their eyes and most likely in the neural processes that resolve conflict across scales, the paper suggests that motion hybrid images illustrate trade-offs between spatial scales that are important for understanding individual differences in perceptions of the natural world.
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混合运动幻觉是感知冲突的例子
Shapiro和Hedjar(2019)提出了幻觉定义的转变,从“感知和现实之间的差异”转变为“现实的可能结构之间的冲突”。本文在此思想的基础上,提出了一系列运动混合图像,将精细尺度对比度(高空间频率内容)与粗尺度对比度生成的运动(低空间频率属性)并置。与静态混合图像的情况一样,在正常观看条件下,精细尺度对比度决定了运动混合图像的感知;然而,如果运动混合图像是模糊的或从远处观看,则感知由粗略的比例对比度确定。因此,细尺度对比度掩盖了由粗尺度对比度产生的对运动(有时是深度)的感知。由于未模糊电影包含精细和粗略的对比度信息,但模糊电影仅包含粗略的对比率信息,因此大脑中对低空间频率做出反应的细胞应该对模糊和未模糊电影做出同等反应。毫无疑问,人们的眼睛在光学方面存在差异,很可能在解决不同尺度冲突的神经过程中也存在差异,因此本文认为,运动混合图像说明了空间尺度之间的权衡,这对于理解个体对自然世界感知的差异很重要。
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