Dancing Altars

IF 0.3 3区艺术学 0 ART AFRICAN ARTS Pub Date : 2022-11-17 DOI:10.1162/afar_a_00682

E. Hill

引用次数: 0

Abstract

| african arts WINTER 2022 VOL. 55, NO. 4 [B]lack diaspora traditions for masking and masquerade— from the carnival arts of Trinidad or New Orleans to the wigs and gold chains of the bling aesthetic—involve the construction of spectacular surfaces that charm, seduce, and beguile the eye but also ... the artifice of such masking hides and protects the inner world of diaspora subjectivity ... —Kobena Mercer (2011: 4, emphasis mine)

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|2022年非洲艺术冬季第55卷，第4期[B]缺乏散居国外的面具和伪装传统——从特立尼达或新奥尔良的狂欢节艺术到闪闪发光的假发和金链美学——涉及到壮观的表面的构建，这些表面既迷人、诱惑和诱惑眼球，又。。。这种掩饰的技巧隐藏并保护了散居者主体性的内心世界--Kobena Mercer（2011:4，强调矿）

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来源期刊

AFRICAN ARTS ART-

CiteScore

0.50

自引率

33.30%

发文量

期刊介绍： African Arts is devoted to the study and discussion of traditional, contemporary, and popular African arts and expressive cultures. Since 1967, African Arts readers have enjoyed high-quality visual depictions, cutting-edge explorations of theory and practice, and critical dialogue. Each issue features a core of peer-reviewed scholarly articles concerning the world"s second largest continent and its diasporas, and provides a host of resources - book and museum exhibition reviews, exhibition previews, features on collections, artist portfolios, dialogue and editorial columns. The journal promotes investigation of the connections between the arts and anthropology, history, language, literature, politics, religion, and sociology.

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