(After) Five Years of War in the Donbas: Cultural Responses and Reverberations

Q2 Arts and Humanities EastWest Journal of Ukrainian Studies Pub Date : 2022-03-30 DOI:10.21226/ewjus705
Mark Andryczyk
{"title":"(After) Five Years of War in the Donbas: Cultural Responses and Reverberations","authors":"Mark Andryczyk","doi":"10.21226/ewjus705","DOIUrl":null,"url":null,"abstract":"This special issue is dedicated to the study of an important phenomenon that has been taking place in Ukraine for what is now approaching a decade. The 2013–14 Revolution of Dignity was quickly followed by Moscow’s annexation of Crimea and then by a war between Russia and Ukraine in the Donbas region. The war greatly impacted various aspects of life in Ukraine in the past eight years including its profound effect on Ukrainian culture. Ukrainian artists, who had been leading a vigorous, varied, and long-awaited free explosion of creative achievements in Ukraine since the country’s independence in 1991, were roused and galvanized by the sudden appearance of war in their land. The war became the subject of artistic projects by many of Ukraine’s leading filmmakers, writers, visual artists, and musicians, and also brought to light the work of new creative voices. These artists developed new approaches while providing fresh perspectives on many issues that had also, in fact, been the focus of many of the notable cultural achievements over the past thirty years, including questions of identity, memory, gender, and displacement. Borders and borderlands, concepts intrinsic to Ukraine’s name, once again acted as sites where these topics were explored. The impact of the Russian-Ukrainian war on Ukrainian culture has now, correspondingly, become a subject of scholarly study. The poems, novels, plays, films, installations, performances, paintings, and songs that have emanated from Ukraine are increasingly analyzed at conferences and in articles in various global academic forums. One such assembly was the conference Five Years of War in the Donbas: Cultural Reflections and Reverberations, which was held at Columbia University on 1–2 November 2019. Organized by the Ukrainian Studies Program at Columbia’s Harriman Institute, the conference gathered scholars from the US, Ukraine, Sweden, Hungary, and China to discuss Ukraine’s cultural treatment of the war in a series of panel presentations and discussions.1 Five Years of War in the","PeriodicalId":31621,"journal":{"name":"EastWest Journal of Ukrainian Studies","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"EastWest Journal of Ukrainian Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21226/ewjus705","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

Abstract

This special issue is dedicated to the study of an important phenomenon that has been taking place in Ukraine for what is now approaching a decade. The 2013–14 Revolution of Dignity was quickly followed by Moscow’s annexation of Crimea and then by a war between Russia and Ukraine in the Donbas region. The war greatly impacted various aspects of life in Ukraine in the past eight years including its profound effect on Ukrainian culture. Ukrainian artists, who had been leading a vigorous, varied, and long-awaited free explosion of creative achievements in Ukraine since the country’s independence in 1991, were roused and galvanized by the sudden appearance of war in their land. The war became the subject of artistic projects by many of Ukraine’s leading filmmakers, writers, visual artists, and musicians, and also brought to light the work of new creative voices. These artists developed new approaches while providing fresh perspectives on many issues that had also, in fact, been the focus of many of the notable cultural achievements over the past thirty years, including questions of identity, memory, gender, and displacement. Borders and borderlands, concepts intrinsic to Ukraine’s name, once again acted as sites where these topics were explored. The impact of the Russian-Ukrainian war on Ukrainian culture has now, correspondingly, become a subject of scholarly study. The poems, novels, plays, films, installations, performances, paintings, and songs that have emanated from Ukraine are increasingly analyzed at conferences and in articles in various global academic forums. One such assembly was the conference Five Years of War in the Donbas: Cultural Reflections and Reverberations, which was held at Columbia University on 1–2 November 2019. Organized by the Ukrainian Studies Program at Columbia’s Harriman Institute, the conference gathered scholars from the US, Ukraine, Sweden, Hungary, and China to discuss Ukraine’s cultural treatment of the war in a series of panel presentations and discussions.1 Five Years of War in the
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
(后)顿巴斯五年战争:文化反应和回响
本期特刊致力于研究近十年来在乌克兰发生的一个重要现象。2013年至2014年的尊严革命之后,莫斯科很快吞并了克里米亚,然后是俄罗斯和乌克兰在顿巴斯地区的战争。在过去的八年里,战争极大地影响了乌克兰生活的各个方面,包括对乌克兰文化的深刻影响。自1991年乌克兰独立以来,乌克兰的艺术家们一直引领着一场充满活力、多种多样、期待已久的创作成就的自由爆发,他们被自己国家突然爆发的战争所唤醒和激励。这场战争成为乌克兰许多著名电影制作人、作家、视觉艺术家和音乐家的艺术项目的主题,也为新的创意声音带来了光明。这些艺术家开发了新的方法,同时为许多问题提供了新的视角,事实上,这些问题也是过去三十年来许多著名文化成就的焦点,包括身份、记忆、性别和流离失所的问题。边界和边疆,乌克兰名称固有的概念,再一次成为这些主题探索的场所。相应地,俄乌战争对乌克兰文化的影响现在已成为学术研究的主题。来自乌克兰的诗歌、小说、戏剧、电影、装置、表演、绘画和歌曲越来越多地在会议和各种全球学术论坛的文章中得到分析。2019年11月1日至2日在哥伦比亚大学举行的“顿巴斯战争五年:文化反思与回响”会议就是其中之一。会议由哥伦比亚大学哈里曼研究所乌克兰研究项目组织,聚集了来自美国、乌克兰、瑞典、匈牙利和中国的学者,在一系列小组演讲和讨论中讨论乌克兰对战争的文化对待五年的战争
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
EastWest Journal of Ukrainian Studies
EastWest Journal of Ukrainian Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.80
自引率
0.00%
发文量
38
审稿时长
24 weeks
期刊最新文献
Resisting Russification in Soviet Ukraine through Literary Translation: The Voice of Mykola Lukash Review of Serhii Plokhy. The Man with the Poison Gun: A Cold War Spy Story. From the Editor-in-Chief: Upcoming Changes Media Systems in Unrecognized States: “People’s Media” in “People’s Republics” Tackling Iaroslav Hrytsak’s Magnum Opus Fifteen Years On
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1