Historietas, lectores y máquinas de Turing = Comics, Readers and Turing Machines

IF 0.2 Q4 COMMUNICATION H-ermes-Journal of Communication Pub Date : 2020-07-12 DOI:10.1285/I22840753N18P297
Jesús Gisbert Sampedro
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Abstract

Observation of the history of the comic reveals that its mutations are in correlation with changes in its means of production and distribution. But it is also perceived that the cartoon mutates in time with the variations in self-awareness manifested by the agents involved in the medium. This paper proposes a theoretical approach that collects these two evolutionary aspects affect the development of the comic. In particular, this study focuses on one of the vertices of the semiotic triad and combines it with a hypothesis that equates the comic book reader with a Turing machine. Finally, after detailing the existence of a space of meaning that is common or accessible to all media, the author brings together the previous suggestions and illustrates the result through a reference to Do Androids Dream of Electric Sheep?. The conclusion is that the aporias implicit in this novel and in its graphic version are as undecidable and unpredictable as the changes that technological development applied to the media will bring to cartoons, which makes it difficult to anticipate the next mutations of the comic.
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历史,讲师máquinas de图灵=漫画,读者和图灵机
对漫画历史的观察表明,它的突变与生产和发行方式的变化有关。但也有人认为,随着媒介中的代理人表现出的自我意识的变化,漫画会随着时间的推移而发生变化。本文提出了一种理论方法来收集这两个进化方面对漫画发展的影响。特别是,这项研究聚焦于符号三元组的一个顶点,并将其与一个将漫画读者等同于图灵机的假设相结合。最后,在详细说明了一个所有媒体都可以访问的意义空间的存在之后,作者将之前的建议结合起来,并通过参考《机器人梦见电羊吗?》来说明结果?。结论是,这部小说及其图形版本中隐含的寓言,就像应用于媒体的技术发展将给漫画带来的变化一样,是不可决定和不可预测的,这使得很难预测漫画的下一个突变。
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