Afterword: hidden beauty

Abstract

People love a secret, as long as they are in on it. One might even argue that historians are more attracted to secrecy than the average scholar, or average individual, in that the tools we have for unearthing documentation from the past regularly trawl up long-dormant secrets. At one time, someone may have died to preserve this secret; for me, it is lying accessible in an archive. The challenge is not reading the secret – it is crafting an argument and a narrative that would make others care for this once tightly-held confidence. This fascination of access to privileged information, to being (whether licitly or not) in the know, and the rich texture that hidden material provides, partly explains the recurrent historiographical attention to secrecy. Historians get to have both secrecy and transparency at once, at least in many cases where the precious documents survive and are not still locked behind the classificatory walls of national-security states or profit-seeking megacorporations.