Character Networks, the Zero Function, and the Lost Character: Solving Three Anomalies in Plot Genotype Theory

IF 0.5 2区 文学 0 LITERATURE NARRATIVE Pub Date : 2023-01-01 DOI:10.1353/nar.2023.0002
Terence Patrick Murphy, Na Zheng
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Abstract

ABSTRACT:In Morphology of the Folktale, Vladimir Propp sets out three major postulates for understanding his corpus of Russian fairy tales: the first is the concept of the character network; the second is that of the participant role; the third is the importance of character action. According to Propp, each separate character fills a particular participant role in a definite character network, where that character is defined not in terms of his or her character attributes, but rather in terms of the importance of his or her action for the outcome of the story. Nonetheless, if we attempt to apply Propp’s plot genotype analysis to a number of fairy tales, including Charles Perrault’s Cinderella, we are confronted by a number of potential anomalies, anomalies that suggest a potential contradiction between Propp’s second and third postulates. In this paper, we aim to solve these anomalies by defining two new character concepts: the first is that of the Cipher Character; the second, that of the Lost Character. These modifications have some interesting repercussions within the wider realm of narrative.
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特征网络、零函数和丢失的特征:解决阴谋基因型理论中的三个异常
摘要:在《民间故事形态学》一书中,普罗普提出了理解俄罗斯童话语料库的三大前提:一是人物网络的概念;二是参与者角色;三是人格行为的重要性。根据Propp的说法,每个单独的角色在一个特定的角色网络中扮演一个特定参与者角色,在这个网络中,这个角色不是根据他或她的角色属性来定义的,而是根据他或她行动对故事结果的重要性来定义的。尽管如此,如果我们试图将普罗普的情节基因型分析应用于许多童话故事,包括查尔斯·佩罗的《灰姑娘》,我们会遇到许多潜在的异常现象,这些异常现象表明普罗普的第二和第三假设之间存在潜在的矛盾。在本文中,我们旨在通过定义两个新的字符概念来解决这些异常:第一个是密码字符;第二,《迷失的角色》。这些修改在更广泛的叙事领域中产生了一些有趣的影响。
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NARRATIVE
NARRATIVE LITERATURE-
CiteScore
1.10
自引率
0.00%
发文量
54
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