Hidden in a European Bestseller: The Quadragesimale of Gritsch/Grütsch and the Reception of Dante’s Commedia in Sermons

IF 0.1 0 RELIGION Medieval Sermon Studies Pub Date : 2021-01-01 DOI:10.1080/13660691.2021.1992893
P. Delcorno
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Abstract

ABSTRACT The article investigates the presence of Dante in a sermon of the Quadragesimale printed under the name of Johannes Gritsch, one of the main sermon bestsellers in late medieval Europe. Albeit quite in plain sight, this text that translates into Latin and comments extensively on Paradiso 33. 1–9 has been completely overlooked by sermon and Dante scholars. By analysing this Dantean passage and by contextualizing it within the Quadragesimale, the article underlines its relevance within the broader phenomenon of the use of the Commedia in late medieval preaching in and outside Italy. On this latter aspect, the sermon under investigation is a game changer. While a few German preachers who used sermons composed in Italy that included references to Dante were already known, this time we encounter a German Franciscan friar who, when composing sermons meant first and foremost for a German audience, engaged with a passage of the Commedia. He did so probably knowing nothing about Dante, perhaps not even his name. As a result, mediated by preachers and detached from its original cultural context, a fragment of the Commedia found its way on a prodigious journey across Europe.
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隐藏在欧洲畅销书:格里奇/格里奇的四合院和但丁在布道中的喜剧的接受
摘要:本文探讨了但丁在中世纪晚期欧洲最畅销的布道书之一、以约翰内斯·格里奇(Johannes Gritsch)的名字印刷的Quadragesimale布道中的存在。尽管显而易见,这篇翻译成拉丁语的文章对Paradiso 33进行了广泛的评论。1–9被讲道和但丁学者完全忽视了。通过分析丹特的这段话,并将其置于Quadragesimale的语境中,文章强调了它在中世纪晚期意大利内外传教中使用Commedia这一更广泛现象中的相关性。在后一方面,正在调查的布道改变了游戏规则。虽然一些德国传教士使用了在意大利创作的包括提及但丁的布道,但这一次我们遇到了一位德国方济各会修士,他在创作布道时,首先对德国观众来说意味着,他参与了Commedia的一段话。他这样做可能对但丁一无所知,甚至可能不知道他的名字。因此,在传教士的斡旋下,脱离了最初的文化背景,Commedia的一个片段在穿越欧洲的惊人旅程中找到了自己的路。
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来源期刊
Medieval Sermon Studies
Medieval Sermon Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
7
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