{"title":"Mapping The Actual-Virtual in Architecture Exhibition","authors":"B. P. Redyantanu, Y. Yatmo, P. Atmodiwirjo","doi":"10.15187/adr.2023.05.36.2.45","DOIUrl":null,"url":null,"abstract":"Background This study aims to identify, map, and reflect on actual-virtual relations in architectural design practices. Virtuality is more than just a discourse of technology. Virtuality is an attempt to realize unlimited possibilities. This study uses the context of the Venice Architecture Biennale (2021) exhibition with the theme 'How Will We Live Together?' to illustrate various possibilities of space construction through the actual-virtual framework. Methods The identification of actual-virtual is performed by qualitatively decomposing the case studies of 60 pavilions. The analysis is carried out by drawing and retracing the data for each pavilion to discover various actual-virtual instruments, operations, and relations in the exhibition. Reflection on the actual-virtual concept that traverses multiple dimensions of space and time, becomes the basis for seeing actual-virtual as a potential. Results This study reveals various types of actual-virtual operations and relations in the context of architectural exhibitions. The connection between origin and execution in exhibitions parallels the actual-virtual relational framework. Disassembling the case study also demonstrates the actual-virtual possibility as a design instrument that connects multidimensional space and time. Conclusions This study offers to deliver another perspective on actual-virtual relations in architecture. This study expands the actual-virtual abstract and conceptual discourse into more practical and operative perspectives. The findings demonstrate the possibility of broadening design knowledge based on an actual-virtual relational framework in an architectural context.","PeriodicalId":52137,"journal":{"name":"Archives of Design Research","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Archives of Design Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15187/adr.2023.05.36.2.45","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Background This study aims to identify, map, and reflect on actual-virtual relations in architectural design practices. Virtuality is more than just a discourse of technology. Virtuality is an attempt to realize unlimited possibilities. This study uses the context of the Venice Architecture Biennale (2021) exhibition with the theme 'How Will We Live Together?' to illustrate various possibilities of space construction through the actual-virtual framework. Methods The identification of actual-virtual is performed by qualitatively decomposing the case studies of 60 pavilions. The analysis is carried out by drawing and retracing the data for each pavilion to discover various actual-virtual instruments, operations, and relations in the exhibition. Reflection on the actual-virtual concept that traverses multiple dimensions of space and time, becomes the basis for seeing actual-virtual as a potential. Results This study reveals various types of actual-virtual operations and relations in the context of architectural exhibitions. The connection between origin and execution in exhibitions parallels the actual-virtual relational framework. Disassembling the case study also demonstrates the actual-virtual possibility as a design instrument that connects multidimensional space and time. Conclusions This study offers to deliver another perspective on actual-virtual relations in architecture. This study expands the actual-virtual abstract and conceptual discourse into more practical and operative perspectives. The findings demonstrate the possibility of broadening design knowledge based on an actual-virtual relational framework in an architectural context.
期刊介绍:
Archives of Design Research (ADR) is an international journal publishing original research in the field of design, including industrial design, visual communication design, interaction design, space design, and service design. It also invites research outcomes from design-related interdisciplinary fields such as the humanities, arts, technology, society and business. It is an open-access journal, publishing four issues per year. Currently papers are published in both English and Korean with an English abstract. ADR aims to build a strong foundation of knowledge in design through the introduction of basic, applied and clinical research. ADR serves as a venue and platform to archive and transfer fundamental design theories, methods, tools and cases. Research areas covered in the journal include: -Design Theory and its Methodology -Design Philosophy, Ethics, Values, and Issues -Design Education -Design Management and Strategy -Sustainability, Culture, History, and Societal Design -Human Behaviors, Perception, and Emotion -Semantics, Aesthetics and Experience in Design -Interaction and Interface Design -Design Tools and New Media -Universal Design/Inclusive Design -Design Creativity -Design Projects and Case Studies