Early African Ivories

IF 0.3 3区 艺术学 0 ART AFRICAN ARTS Pub Date : 2022-05-01 DOI:10.1162/afar_a_00652
L. Afonso, Carlos Almeida, J. da Silva Horta
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Abstract

| african arts SUMMER 2022 VOL. 55, NO. 2 Based on archaeological excavations conducted in the 1970s by Merrick Posnansky in Begho (Ghana), this paper outlines a new cluster of early African ivories located in central Ghana.1 This group dates from the same time of other clusters widely recognized by the literature on early African ivories, such as those located on Serra Leoa,2 Owo, Benin, Calabar, and Kongo.3 Ivories belonging to some of these clusters are well documented in historical sources of the sixteenth and seventeenth centuries, including records in European collections as early as the mid-sixteenth century. Fragments of other ivories were found in archaeological contexts dating from the sixteenth and seventeenth centuries, namely in Portugal (Manso, Casimiro and Gomes 2021) and Ghana (Posnansky 1976). When compared against each other, the internal cohesiveness of these clusters becomes clearer, as well as their differences. We structured this paper into three sections in order to present our arguments for outlining Ghana’s cluster of early African ivories. First, we discuss the position of Begho in the trans-Saharan trade and how it fostered the development of local industries, including the production of small ivory objects. Second, we present evidence for considering the two fragments of side-blown ivory trumpets found by Posnansky in Begho as a product of the Akan peoples4 and we rebut the arguments of Ezio Bassani, who classified them as a subset of the Kongo cluster (2008: 35–38). Our reasoning stems from the relevance of Posnansky’s archaeological findings and from a deeper stylistic analysis of these objects. Third, we contrast Ghana’s ivory trumpets with trumpets from other early African clusters—namely Serra Leoa, Benin, Calabar, Kongo and another cluster in West Africa whose specific location remains undetermined, in order to strengthen the idiosyncrasy of Ghana’s ivories.5
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早期非洲象牙
b|非洲艺术夏季2022年第55卷,第1期。2基于20世纪70年代Merrick Posnansky在Begho(加纳)进行的考古发掘,本文概述了位于加纳中部的一个新的早期非洲象牙群。1该群与其他早期非洲象牙文献广泛认可的群的时间相同,例如位于Serra Leoa,2 Owo,贝宁,Calabar,在16世纪和17世纪的历史资料中,包括早在16世纪中期的欧洲收藏记录,这些象牙属于其中一些集群。在16世纪和17世纪的考古背景下,也发现了其他象牙碎片,即在葡萄牙(Manso, Casimiro和Gomes, 2021)和加纳(Posnansky, 1976)。当相互比较时,这些集群的内部凝聚力变得更加清晰,以及它们之间的差异。我们将本文分为三个部分,以展示我们概述加纳早期非洲象牙群的论点。首先,我们讨论了贝戈在跨撒哈拉贸易中的地位,以及它如何促进当地工业的发展,包括小型象牙制品的生产。其次,我们提出证据,证明波斯南斯基在贝古发现的两个侧吹象牙喇叭碎片是阿坎人的产物,并反驳了埃齐奥·巴萨尼(Ezio Bassani)的论点,后者将它们归类为孔戈族的一个子集(2008:35-38)。我们的推理源于波斯南斯基的考古发现的相关性,以及对这些物品的更深层次的风格分析。第三,我们将加纳的象牙号角与其他早期非洲集群的号角进行对比,即塞拉利亚,贝宁,卡拉巴,刚果和西非的另一个集群,其具体位置尚未确定,以加强加纳象牙的特质
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来源期刊
CiteScore
0.50
自引率
33.30%
发文量
38
期刊介绍: African Arts is devoted to the study and discussion of traditional, contemporary, and popular African arts and expressive cultures. Since 1967, African Arts readers have enjoyed high-quality visual depictions, cutting-edge explorations of theory and practice, and critical dialogue. Each issue features a core of peer-reviewed scholarly articles concerning the world"s second largest continent and its diasporas, and provides a host of resources - book and museum exhibition reviews, exhibition previews, features on collections, artist portfolios, dialogue and editorial columns. The journal promotes investigation of the connections between the arts and anthropology, history, language, literature, politics, religion, and sociology.
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