{"title":"Benedictus es domine, the Ambrosian Canticle of the Three Children in the Fiery Furnace","authors":"T. Bailey","doi":"10.1017/s0961137121000127","DOIUrl":null,"url":null,"abstract":"Abstract The hymn of Shadrach, Meshach and Abednego from the Book of Daniel was sung in Milan as the first canticle of Ambrosian Matins on all Sundays and festivals. The Benedictus es domine had a special importance in the Milanese liturgy: it was not only the first lection of the day, but was also seen as providing a common theme unifying the morning office. Those who study Milanese chant will be interested in the details of its performance, but the hope is that even those who do not usually take note of things Ambrosian will welcome an illustration of the extraordinary complexity that characterises the Rite in its final stage.","PeriodicalId":41539,"journal":{"name":"Plainsong & Medieval Music","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Plainsong & Medieval Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s0961137121000127","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract The hymn of Shadrach, Meshach and Abednego from the Book of Daniel was sung in Milan as the first canticle of Ambrosian Matins on all Sundays and festivals. The Benedictus es domine had a special importance in the Milanese liturgy: it was not only the first lection of the day, but was also seen as providing a common theme unifying the morning office. Those who study Milanese chant will be interested in the details of its performance, but the hope is that even those who do not usually take note of things Ambrosian will welcome an illustration of the extraordinary complexity that characterises the Rite in its final stage.
期刊介绍：
Plainsong & Medieval Music is published twice a year in association with the Plainsong and Medieval Music Society and Cantus Planus, study group of the International Musicological Society. It covers the entire spectrum of medieval music: Eastern and Western chant, secular lyric, music theory, palaeography, performance practice, and medieval polyphony, both sacred and secular, as well as the history of musical institutions. The chronological scope of the journal extends from late antiquity to the early Renaissance and to the present day in the case of chant. In addition to book reviews in each issue, a comprehensive bibliography of chant research and a discography of recent and re-issued plainchant recordings appear annually.
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