Commemorating the Virgin Mary at Barking Abbey: Cambridge, University Library, Dd.12.56

IF 0.5 1区 艺术学 0 MEDIEVAL & RENAISSANCE STUDIES Plainsong & Medieval Music Pub Date : 2023-03-22 DOI:10.1017/S096113712200016X
A. Yardley
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Abstract

Abstract This article examines the unusual commemorative Office of the Virgin from Barking Abbey in a fifteenth-century book of hours, Cambridge, University Library, Dd.12.56 (hereafter Dd.12.56). As already evident in the Barking Ordinal, the nuns of this Abbey venerated Mary, one of their patron saints, with a weekly full three-nocturn, twelve-lesson Matins service. Dd.12.56, however, has only recently been linked to Barking Abbey and drawing on new material in this manuscript in correlation with others from the Abbey, I argue that the Barking nuns compiled a unique series of readings and responsories to honour Mary. The progression through the three nocturns of Matins articulates a Marian theology that intersects with the nuns’ self-understanding and I demonstrate that they carefully crafted the lesser hours to highlight specific times of day and to complement Marian hymns sung at Barking. The accepted belief that books of hours were for personal devotion obscures the possibility that such books reflect communal liturgical practices, potentially serving multiple purposes within a monastic setting. Although Dd.12.56 dates from the fifteenth century, it may testify to a much older liturgical practice, which originated in the twelfth century when the three-nocturn format was still prevalent in Benedictine use and before it was largely replaced by a two-nocturn format in the thirteenth century. Benedictine tradition offered individual monastic houses the opportunity to craft this service. Dd.12.56 stands as a new and important testimony to the rich and imaginative ways in which the Barking community created, collated and curated materials that they steeped in their minds and hearts.
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纪念巴金修道院的圣母玛利亚:剑桥大学图书馆,公元12.56年
摘要:本文考察了一本15世纪的《小时记》,剑桥大学图书馆,公元12.56年(以下简称公元12.56年)中巴金修道院不寻常的纪念圣母办公室。从《巴金主教礼》中已经可以看出,这座修道院的修女们崇拜她们的守护神之一玛丽,每周举行整整三个晚上、十二课的圣餐仪式。然而,直到最近才与巴金修道院联系起来,并在该手稿中与修道院的其他材料相关的新材料中,我认为巴金修女编制了一系列独特的阅读和回应来纪念玛丽。通过三个晚上的主祷文的进展阐明了玛丽安神学与修女们的自我理解相交,我证明了她们精心设计了较小的时间来突出一天中的特定时间,并补充了玛丽安在巴金唱的赞美诗。人们普遍认为,《小时经》是为个人奉献的,这一观点模糊了这样一种可能性,即这些书反映了公共礼拜仪式的做法,在修道院的环境中可能有多种用途。虽然Dd.12.56可以追溯到十五世纪,但它可能证明了一个更古老的礼拜仪式实践,它起源于十二世纪,当时三晚的形式仍然在本笃会中流行,在十三世纪被两晚的形式所取代之前。本笃会的传统为个人修道院提供了精心制作这项服务的机会。Dd.12.56代表了一个新的和重要的证据,以丰富和富有想象力的方式,巴金社区创造,整理和策划他们沉浸在他们的思想和心灵中的材料。
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
15
期刊介绍: Plainsong & Medieval Music is published twice a year in association with the Plainsong and Medieval Music Society and Cantus Planus, study group of the International Musicological Society. It covers the entire spectrum of medieval music: Eastern and Western chant, secular lyric, music theory, palaeography, performance practice, and medieval polyphony, both sacred and secular, as well as the history of musical institutions. The chronological scope of the journal extends from late antiquity to the early Renaissance and to the present day in the case of chant. In addition to book reviews in each issue, a comprehensive bibliography of chant research and a discography of recent and re-issued plainchant recordings appear annually.
期刊最新文献
Ornamental melismas in Aquitanian introits PMM volume 32 issue 1 Cover and Back matter Preacher and prophet: intersecting voices of St John the Evangelist in late medieval ‘s-Hertogenbosch Commemorating the Virgin Mary at Barking Abbey: Cambridge, University Library, Dd.12.56 PMM volume 32 issue 1 Cover and Front matter
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