Postcolonialism, the Anthropocene, and New Nonhuman Theory: A Postanthropocentric Reading of Robinson Crusoe

IF 0.4 2区 文学 0 LITERATURE ARIEL-A REVIEW OF INTERNATIONAL ENGLISH LITERATURE Pub Date : 2021-04-21 DOI:10.1353/ari.2021.0010
S. Moslund
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引用次数: 1

Abstract

Abstract:This article illustrates the relevance of postanthropocentric theory (e.g., new materialism, object-oriented ontology and actor-network theory) to postcolonial studies of literature and addresses the task, suggested by Dipesh Chakrabarty, of stretching postcolonial ideas of subjectivity to include the human-nonhuman entwinements made visible by the reality of the Anthropocene. By outlining postcolonial criticisms of postanthropocentric theory, the article highlights common ground between the two theories and argues for new perspectives that postcolonial studies may take from that common ground. It illustrates these new perspectives in a combined postcolonial and postanthropocentric reading of Robinson Crusoe (1719)—an iconic imperalist novel that signals the dawn of a highly anthropocentric imaginary in Western culture. In this respect, the article's reading of Robinson Crusoe does three things: 1) Uncovers the conjunction in the novel of an anthropocentric and imperial imaginary and illustrates how (imperial) literature contributes to the cultural suppression of human-nonhuman entwinements; 2) draws on postanthropocentric theory to show how human-nonhuman divisions cannot be sustained even in literature that triumphantly celebrates human exceptionality; and 3) suggests how a postanthropocentric reading may combine with a de-ontologization of race. The article argues that something always escapes anthropocentric representation, and alterity is inevitably let into any narrative through the connotative and aesthetic work of any referent to reality.
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后殖民主义、人类世与新的非人类理论:《鲁滨逊漂流记》的后人类中心解读
摘要:本文阐述了后人类中心论(如新唯物主义、面向对象本体论和行动者网络理论)与后殖民文学研究的相关性,并阐述了Dipesh Chakrabarty提出的任务,即将后殖民的主体性思想扩展到包括人类世现实中可见的人类与非人类的纠缠。通过概述后殖民主义对后人类中心论的批评,文章强调了这两种理论之间的共同点,并为后殖民研究提供了新的视角。《鲁滨逊漂流记》(1719)是一部标志性的非现实主义小说,标志着西方文化中高度以人类为中心的想象的黎明。在这方面,本文对《鲁滨逊漂流记》的解读有三点:1)揭示了小说中以人类为中心和帝国想象的结合,并说明了(帝国)文学如何助长对人类与非人类纠缠的文化压制;2) 借鉴后人类中心主义理论,表明即使在成功庆祝人类例外性的文学中,人类与非人类的分裂也无法持续;以及3)提出了后人类中心主义阅读如何与种族的去个体化相结合。文章认为,某些东西总是逃脱了以人类为中心的表现,而通过任何参照现实的内涵和美学作品,交替不可避免地被引入任何叙事中。
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CiteScore
0.70
自引率
0.00%
发文量
41
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