The Question of Transcendence and Constraint in a Panartifactual Account of Being, Knowing and Making

M. Baç, Büke Temizler
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引用次数: 0

Abstract

Abstract Barry Allen defends a highly unorthodox and compact account of humans and their evolutionary adventure, which comprises inter alia epistemological, alethic, technological, and artistic aspects. His anthropocentric view distinguishes itself from traditional forms of realism and anti-realism by virtue of its dynamic and non-reductionist character. Allen adopts a certain perspective of techno-artistic and onto-epistemic construction, which we dub “panartifactualism,” claiming principally that nothing at all escapes the artifactualizing power of human beings. We maintain that, under closer scrutiny, various dimensions of Allen’s account conflict and that his philosophical approach to “being” and “making” ultimately gives rise to a rather problematic ontological picture. Having pointed out its shortcomings and untenable results, we spell out the conceptual contours of a contemporary and far more attractive version of realism which suffers neither from the issues faced by views like panartifactualism nor from the obvious difficulties of noumenalist realism justifiably opposed by Allen.
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关于存在、认识和创造的全面叙述中的超越与制约问题
巴里·艾伦(Barry Allen)为人类及其进化冒险的高度非正统和紧凑的描述辩护,其中包括认识论、真性、技术和艺术方面的内容。他的人类中心主义观点以其动态的、非还原论的特征区别于传统形式的现实主义和反现实主义。艾伦采用了一种技术艺术和本体认知建构的观点,我们称之为“全人工主义”,主要主张没有任何东西能逃脱人类的人工力量。我们坚持认为,在更仔细的审查下,艾伦的叙述的各个方面是冲突的,他对“存在”和“制造”的哲学方法最终导致了一个相当有问题的本体论图景。在指出了它的缺点和站不住脚的结果之后,我们阐述了一个当代的、更有吸引力的现实主义版本的概念轮廓,它既没有像全人工主义这样的观点所面临的问题,也没有像艾伦所反对的本体主义现实主义所面临的明显困难。
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CiteScore
0.30
自引率
50.00%
发文量
29
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