Florence and the Renaissance art works: the importance of the seismic safety

S. Viti, Francesco Trovatelli
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Abstract

Florence is known all over the world for its history, monuments, Museums, and artworks. Unfortunately, such precious manufacts are not always adequately protected against natural hazards. Works of art, indeed, are very vulnerable to seismic effects, due to their irregular and slender shapes, and their fragile materials. All these reasons make them vulnerable to seismic events even when they do not achieve a destructive intensity. The current Technical Codes point out such vulnerability, despite providing guidelines not completely adequate to prevent the seismic damage. In this frame, a research activity has started within the Department of Architecture of Florence aimed at investigating the dynamic response of artworks to seismic events, including both simplified form-filling and more detailed Finite Element analyses. In this work, the seismic performance of the marble statue “Oceanus” by Giambologna has been as- sessed by adopting three different analytical models.
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佛罗伦萨与文艺复兴时期的艺术作品:地震安全的重要性
佛罗伦萨以其历史、古迹、博物馆和艺术品而闻名于世。不幸的是,这些珍贵的制造商并不总是得到充分的保护,免受自然灾害的影响。事实上,艺术品非常容易受到地震影响,因为它们的形状不规则、细长,而且材料脆弱。所有这些原因使它们即使没有达到破坏性强度,也容易受到地震事件的影响。目前的技术规范指出了这种脆弱性,尽管提供的指导方针并不完全足以防止地震破坏。在这一框架下,佛罗伦萨建筑系开始了一项研究活动,旨在调查艺术品对地震事件的动态响应,包括简化的表格填充和更详细的有限元分析。本文采用三种不同的分析模型对詹布洛涅大理石雕像“Oceanus”的抗震性能进行了评估。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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