This contribution recounts the eighteenth-century restoration interventions relating to the oratory dedicated to San Sebastiano, belonging to the monumental complex of the SS. Annunziata of Florence and historically under the patronage of the Pucci family. In order to reconstruct the historical events of the oratory, some unpublished documents relating to the historical restoration and maintenance interventions of the eighteenth century will be examined. Preserved mainly in the private archive of the Pucci family, the documents are materials of great importance for the study of the constructive events of the Oratory, but also as evidence of the cultural evolution of the relationship with the ancient and reflections on the concepts of restoration and conservation.
{"title":"«Restaurare modernamente». Interventi settecenteschi all’Oratorio di San Sebastiano del complesso monumentale della SS. Annunziata di Firenze attraverso i documenti dell’Archivio privato della famiglia","authors":"Maddalena Branchi","doi":"10.36253/rar-15074","DOIUrl":"https://doi.org/10.36253/rar-15074","url":null,"abstract":"This contribution recounts the eighteenth-century restoration interventions relating to the oratory dedicated to San Sebastiano, belonging to the monumental complex of the SS. Annunziata of Florence and historically under the patronage of the Pucci family. In order to reconstruct the historical events of the oratory, some unpublished documents relating to the historical restoration and maintenance interventions of the eighteenth century will be examined. Preserved mainly in the private archive of the Pucci family, the documents are materials of great importance for the study of the constructive events of the Oratory, but also as evidence of the cultural evolution of the relationship with the ancient and reflections on the concepts of restoration and conservation.","PeriodicalId":52938,"journal":{"name":"Restauro Archeologico","volume":"44 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140507094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In literature, the nuraghi, megalithic towers, are studied as separete cases. The proposed study aims instead at analysing them as a whole taking as a empirical reference in the case of Sinis, within the territory of Cabras (central-western Sardinia). By means of a visual connection between the various nuraghi, it is possible to trace 'paths' of information exchange with which it is hypothesised that the ancient architectures interacted in synergy in order to protect their mother city, currently under the waters of the Cabras pond, in the Conca Illonis area. The results of the analysis allow us to imagine a new possible analysis model that illustrates the functioning of the nuraghi and a nuragic dwelling settlement of considerably larger dimensions than any known to date in Sardinia.
{"title":"From the visual connections of the nuraghi of Sinis to the submerged nuragic city of Conca Illonis in the pond of Cabras.","authors":"Giuseppe Sanna","doi":"10.36253/rar-14491","DOIUrl":"https://doi.org/10.36253/rar-14491","url":null,"abstract":"In literature, the nuraghi, megalithic towers, are studied as separete cases. The proposed study aims instead at analysing them as a whole taking as a empirical reference in the case of Sinis, within the territory of Cabras (central-western Sardinia). By means of a visual connection between the various nuraghi, it is possible to trace 'paths' of information exchange with which it is hypothesised that the ancient architectures interacted in synergy in order to protect their mother city, currently under the waters of the Cabras pond, in the Conca Illonis area. The results of the analysis allow us to imagine a new possible analysis model that illustrates the functioning of the nuraghi and a nuragic dwelling settlement of considerably larger dimensions than any known to date in Sardinia.","PeriodicalId":52938,"journal":{"name":"Restauro Archeologico","volume":"37 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140507580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper, through the analysis of the case study relating to the morphometric and chromatic documentation of the Facultad de Arte Teatral of the ISA (La Habana), aims to highlight the essential role that the survey of architecture plays in the process of enhancement and protection of Cultural Heritage. The survey is the critical investigation tool by definition: when it’s understood in the broadest sense of the term, it constitutes the necessary cognitive premise at the basis of any design action. This is even more true when the intervention involves the restoration of a cultural artefact aimed at its conservation and management, an operation that assumes a careful analysis of the existing state and the correct reading of the architectural organism in all its parts.
{"title":"Rilievo per il restauro. La documentazione morfometrica e cromatica della Facultad de Arte Teatral dell’ISA (L’Avana - Cuba).","authors":"G. Lavoratti","doi":"10.36253/rar-14945","DOIUrl":"https://doi.org/10.36253/rar-14945","url":null,"abstract":"The paper, through the analysis of the case study relating to the morphometric and chromatic documentation of the Facultad de Arte Teatral of the ISA (La Habana), aims to highlight the essential role that the survey of architecture plays in the process of enhancement and protection of Cultural Heritage. The survey is the critical investigation tool by definition: when it’s understood in the broadest sense of the term, it constitutes the necessary cognitive premise at the basis of any design action. This is even more true when the intervention involves the restoration of a cultural artefact aimed at its conservation and management, an operation that assumes a careful analysis of the existing state and the correct reading of the architectural organism in all its parts.","PeriodicalId":52938,"journal":{"name":"Restauro Archeologico","volume":"2 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140507653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper contributes to the ongoing debate on methods and tools for the preservation and management of architectural heritage, and presents the Conservation Management Plan developed between 2018 and 2020 for the National Schools of Arts of Havana. The authors focus on the GIS based tools created to manage information collected by the different work groups who contributed to the drafting of the Plan. The outcome is an articulated and flexible system which aims to describe the complexity of the schools, as well as to actively involve interested actors in order to share cultural values, operational needs and priorities of intervention. Indeed, the objective of a Conservation Management Plan is to clarify the significance of a place, and define in which ways such significance will be maintained in future transformations. The GIS developed for the National Art Schools enabled to archive, systematize, and analyze data according to the double-scale approach which characterized the entire research (the territorial and the architectural one), thus becoming an essential tool for the implementation of the CMP.
{"title":"Il piano di conservazione e gestione per le Scuole Nazionali d’Arte di Cuba. Un contributo al percorso di candidatura alla WHL.","authors":"Sofia Celli, Andrea Garzullino","doi":"10.36253/rar-14946","DOIUrl":"https://doi.org/10.36253/rar-14946","url":null,"abstract":"\u0000This paper contributes to the ongoing debate on methods and tools for the preservation and management of architectural heritage, and presents the Conservation Management Plan developed between 2018 and 2020 for the National Schools of Arts of Havana. The authors focus on the GIS based tools created to manage information collected by the different work groups who contributed to the drafting of the Plan. The outcome is an articulated and flexible system which aims to describe the complexity of the schools, as well as to actively involve interested actors in order to share cultural values, operational needs and priorities of intervention. Indeed, the objective of a Conservation Management Plan is to clarify the significance of a place, and define in which ways such significance will be maintained in future transformations. The GIS developed for the National Art Schools enabled to archive, systematize, and analyze data according to the double-scale approach which characterized the entire research (the territorial and the architectural one), thus becoming an essential tool for the implementation of the CMP. \u0000","PeriodicalId":52938,"journal":{"name":"Restauro Archeologico","volume":"5 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140506909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the last decades, the introduction of geomatic technologies in the processes of documentation of built environment has revolutionized the field of morphometric documentation. These procedures have undoubtedly helped tangible Cultural Heritage, which in today's society plays an increasingly central role in socio-economic development and the reaffirmation of a country's cultural identity. This research aims to illustrate a management method for Architectural Heritage (AH) using innovative technologies, which allow determining the influence of geographic-environmental conditions on the processes of material and structural degradation of buildings. The case study on which this method was tested is the Facultad de Arte Teatral (FAT) of the Universidad de las Artes in La Habana (Cuba).
{"title":"Geomática y geografía al servicio de la conservación del Patrimonio Arquitectónico","authors":"Liamnisbel Hernández Peña","doi":"10.36253/rar-14947","DOIUrl":"https://doi.org/10.36253/rar-14947","url":null,"abstract":"In the last decades, the introduction of geomatic technologies in the processes of documentation of built environment has revolutionized the field of morphometric documentation. These procedures have undoubtedly helped tangible Cultural Heritage, which in today's society plays an increasingly central role in socio-economic development and the reaffirmation of a country's cultural identity. This research aims to illustrate a management method for Architectural Heritage (AH) using innovative technologies, which allow determining the influence of geographic-environmental conditions on the processes of material and structural degradation of buildings. The case study on which this method was tested is the Facultad de Arte Teatral (FAT) of the Universidad de las Artes in La Habana (Cuba).","PeriodicalId":52938,"journal":{"name":"Restauro Archeologico","volume":"55 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140508090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pietro Matracchi, Gianmarco Agnoloni, P. Bruschetti, Elena Caldini, Deborah del Dottore, Ada. Salvi
About fifteen years after the “Parco Archeologico” of Cortona was opened, it was deemed necessary to launch an accurate and extensive campaign of study and documentation of the sites from which it consists. The study and the survey were started from the tumuli of Sodo and the tumulus of Camucia; the work was conducted with the aim of deepening the construction techniques and the state of conservation of these artifacts. Two main areas of decay emerged, one related to the not always effective control and protection from rainwater; the other concerns the structural problems of parts in condition of ruin, but also of intact rooms apparently in good state of conservation. In some cases, possible intervention solutions were also outlined. This research also aims to lay the foundations for the future development of a planned conservation, which is a key theme in archaeological sites.
{"title":"I tumuli del parco archeologico di Cortona. Studi per la conservazione e la valorizzazione.","authors":"Pietro Matracchi, Gianmarco Agnoloni, P. Bruschetti, Elena Caldini, Deborah del Dottore, Ada. Salvi","doi":"10.36253/rar-15175","DOIUrl":"https://doi.org/10.36253/rar-15175","url":null,"abstract":"About fifteen years after the “Parco Archeologico” of Cortona was opened, it was deemed necessary to launch an accurate and extensive campaign of study and documentation of the sites from which it consists. The study and the survey were started from the tumuli of Sodo and the tumulus of Camucia; the work was conducted with the aim of deepening the construction techniques and the state of conservation of these artifacts. \u0000Two main areas of decay emerged, one related to the not always effective control and protection from rainwater; the other concerns the structural problems of parts in condition of ruin, but also of intact rooms apparently in good state of conservation. In some cases, possible intervention solutions were also outlined. \u0000This research also aims to lay the foundations for the future development of a planned conservation, which is a key theme in archaeological sites.","PeriodicalId":52938,"journal":{"name":"Restauro Archeologico","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140507127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The international cooperation project between Italy and Cuba, ¡Que no baje el telón! is aimed at the restoration and functional recovery of the Facultad de Arte Teatral of the Universidad de las Artes in La Havana (Cuba). The project has made possible to address the delicate issue of relationship between the work of the conservator, the will of the author of the work and the artefact itself. Despite the existence of specific provisions of the law, the formal protection of modern and contemporary architecture (in the absence or in the presence of restrictions) is a delicate operation. Those people called to intervene must have the capability to manage an articulated set of premises, from the state of conservation of the building to the needs of the community that uses it.
意大利与古巴之间的国际合作项目 "Que no baje el telón！"旨在修复和恢复古巴哈瓦那艺术大学戏剧艺术系的功能。该项目解决了文物保护者的工作、作品作者的意愿和文物本身之间的微妙关系问题。尽管有具体的法律规定，但对现代和当代建筑的正式保护（在没有或有限制的情况 下）是一项微妙的工作。被要求进行干预的人必须有能力管理一系列明确的前提条件，从建筑的保护状况到使用该建筑的社区的需求。
{"title":"La tutela formale del patrimonio architettonico modermo: la Facultad de Arte Teatral della Universidad de Las Artes dell’Avana.","authors":"A. Merlo","doi":"10.36253/rar-14950","DOIUrl":"https://doi.org/10.36253/rar-14950","url":null,"abstract":"The international cooperation project between Italy and Cuba, ¡Que no baje el telón! is aimed at the restoration and functional recovery of the Facultad de Arte Teatral of the Universidad de las Artes in La Havana (Cuba). The project has made possible to address the delicate issue of relationship between the work of the conservator, the will of the author of the work and the artefact itself. Despite the existence of specific provisions of the law, the formal protection of modern and contemporary architecture (in the absence or in the presence of restrictions) is a delicate operation. Those people called to intervene must have the capability to manage an articulated set of premises, from the state of conservation of the building to the needs of the community that uses it.","PeriodicalId":52938,"journal":{"name":"Restauro Archeologico","volume":"26 2-4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140507683","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper deals with a Document prepared by an expert group, chaired by the author, established by the International Council on Monuments and Sites (ICOMOS) under the mandate of the European Commission. The action took place in the framework of the flagship EU Initiative of the European Year of Cultural Heritage 2018: “Cherishing heritage: developing quality standards for EU-funded projects that have the potential to impact on cultural heritage”. The main objective of the “Document on quality principles for EU-funded interventions on cultural heritage”, is to provide guidance for all stakeholders directly or indirectly engaged in EU-funded heritage conservation and management (European institutions, managing authorities, international organisations, civil society and local communities, private sector, and experts).
{"title":"“Quality” of interventions on built Cultural Heritage","authors":"Stefano Francesco Musso","doi":"10.36253/rar-14278","DOIUrl":"https://doi.org/10.36253/rar-14278","url":null,"abstract":"The paper deals with a Document prepared by an expert group, chaired by the author, established by the International Council on Monuments and Sites (ICOMOS) under the mandate of the European Commission. The action took place in the framework of the flagship EU Initiative of the European Year of Cultural Heritage 2018: “Cherishing heritage: developing quality standards for EU-funded projects that have the potential to impact on cultural heritage”. The main objective of the “Document on quality principles for EU-funded interventions on cultural heritage”, is to provide guidance for all stakeholders directly or indirectly engaged in EU-funded heritage conservation and management (European institutions, managing authorities, international organisations, civil society and local communities, private sector, and experts).","PeriodicalId":52938,"journal":{"name":"Restauro Archeologico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45049399","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The recent initiatives aimed at promoting the recognition of the Sardinian archaeological heritage has generating two proposals included in the Tentative List: the "Domus de Janas", with surprising decorative elements, and the Nuragic civilization whose typological emblem, the nuraghe, is represented by the examples more significant. Both proposals concern the entire territory of Sardinia: here it is precisely archaeological architecture that constitutes the most recognizable asset with the most powerful meaning. Using the observation point of the Superintendency which participates in the process as territorial articulation of Ministry of Culture, it will be examine:• the legal status of the assets and the protection regime in place;• the conservation and maintenance projects made so far and for the future;• the state of accessibility to Heritage.The aims is to arrive at the drafting of a kind of state of the art and the guidelines for the recognition procedure.
{"title":"Guerra tra giganti. Il riconoscimento del patrimonio archeologico sardo tra conservazione e accessibilità","authors":"B. Billeci","doi":"10.36253/rar-14293","DOIUrl":"https://doi.org/10.36253/rar-14293","url":null,"abstract":"The recent initiatives aimed at promoting the recognition of the Sardinian archaeological heritage has generating two proposals included in the Tentative List: the \"Domus de Janas\", with surprising decorative elements, and the Nuragic civilization whose typological emblem, the nuraghe, is represented by the examples more significant. Both proposals concern the entire territory of Sardinia: here it is precisely archaeological architecture that constitutes the most recognizable asset with the most powerful meaning. Using the observation point of the Superintendency which participates in the process as territorial articulation of Ministry of Culture, it will be examine:• the legal status of the assets and the protection regime in place;• the conservation and maintenance projects made so far and for the future;• the state of accessibility to Heritage.The aims is to arrive at the drafting of a kind of state of the art and the guidelines for the recognition procedure.","PeriodicalId":52938,"journal":{"name":"Restauro Archeologico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45407475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Parks and gardens are essential for the surrounding territory. For this reason, they are assets to protect and manage through scientific, technical and practical knowledge developed over time. They are enjoyed by the public and meet a different anthropogenic pressure than in the past. Usability and conservation needs are not always easily reconcilable. It is therefore essential adopting sustainable management plans, on an economic, biological, architectural, and histor- ical-cultural level. An innovative and economically-weighted management strategy of natural sites, especially historic gardens, is required to address and prevent the effects of climate change, promoting respect for the environment as well. If the concept of cutting-edge and sustainable management were shared between such situations, the information available would provide a further contribution to the adoption of correct choices.
{"title":"Nuove strategie per il piano di gestione del verde di Parchi e Giardini storici alla luce delle mutate condizioni ambientali e di fruizione","authors":"A. Minelli, P. Viola","doi":"10.36253/rar-14330","DOIUrl":"https://doi.org/10.36253/rar-14330","url":null,"abstract":"Parks and gardens are essential for the surrounding territory. For this reason, they are assets to protect and manage through scientific, technical and practical knowledge developed over time. They are enjoyed by the public and meet a different anthropogenic pressure than in the past. Usability and conservation needs are not always easily reconcilable. It is therefore essential adopting sustainable management plans, on an economic, biological, architectural, and histor- ical-cultural level. An innovative and economically-weighted management strategy of natural sites, especially historic gardens, is required to address and prevent the effects of climate change, promoting respect for the environment as well. If the concept of cutting-edge and sustainable management were shared between such situations, the information available would provide a further contribution to the adoption of correct choices.","PeriodicalId":52938,"journal":{"name":"Restauro Archeologico","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-02-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43762908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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