{"title":"Chatoyer’s Punch Ladle: A Museum Artifact that Speaks to the Hidden History of the Garifuna, An African-Caribbean People","authors":"C. Welch, N. Finneran","doi":"10.1080/21619441.2022.2096960","DOIUrl":null,"url":null,"abstract":"ABSTRACT This paper contextualizes the artifact “Punch Ladle, 1773” on display in the “London, Sugar & Slavery” exhibition at Museum of London Docklands (UK). A placard identifies the ladle as once belonging to “Chatoyer, Chief of the Caribs” and as on loan by the West India Committee. Through this artifact, the largely forgotten story of Chatoyer and the so-called Black Caribs (Garifuna) is highlighted, while complexities of the artifact’s provenance are analyzed through an object biography approach. The paper also considers the ethical and curatorial implications of the current non-repatriation of the artifact and its present location within the “Slave Owner” part of the exhibition. Finally, by arguing for the artifact’s global significance through its association with Chatoyer, a historic African-Caribbean figure of colonial resistance, this article contributes to current museum decolonization debates.","PeriodicalId":37778,"journal":{"name":"Journal of African Diaspora Archaeology and Heritage","volume":"11 1","pages":"181 - 204"},"PeriodicalIF":0.0000,"publicationDate":"2022-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of African Diaspora Archaeology and Heritage","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/21619441.2022.2096960","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
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Abstract
ABSTRACT This paper contextualizes the artifact “Punch Ladle, 1773” on display in the “London, Sugar & Slavery” exhibition at Museum of London Docklands (UK). A placard identifies the ladle as once belonging to “Chatoyer, Chief of the Caribs” and as on loan by the West India Committee. Through this artifact, the largely forgotten story of Chatoyer and the so-called Black Caribs (Garifuna) is highlighted, while complexities of the artifact’s provenance are analyzed through an object biography approach. The paper also considers the ethical and curatorial implications of the current non-repatriation of the artifact and its present location within the “Slave Owner” part of the exhibition. Finally, by arguing for the artifact’s global significance through its association with Chatoyer, a historic African-Caribbean figure of colonial resistance, this article contributes to current museum decolonization debates.
期刊介绍：
Journal of African Diaspora Archaeology and Heritage provides a focal point for peer-reviewed publications in interdisciplinary studies in archaeology, history, material culture, and heritage dynamics concerning African descendant populations and cultures across the globe. The Journal invites articles on broad topics, including the historical processes of culture, economics, gender, power, and racialization operating within and upon African descendant communities. We seek to engage scholarly, professional, and community perspectives on the social dynamics and historical legacies of African descendant cultures and communities worldwide. The Journal publishes research articles and essays that review developments in these interdisciplinary fields.
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