{"title":"Students’ Park: A Poetic Dispatch as Placemaking Methodology","authors":"N. Kumari","doi":"10.1080/20507828.2022.2057009","DOIUrl":null,"url":null,"abstract":"Abstract This piece is a creative intervention in the trope of research article writing. This ‘Poetic Dispatch’ is a response to be sent to the readers of this scholarly journal. It transgresses and extends the limit of its readership and genre by employing the ode form of poetic expression. It stresses Doreen Massey’s proposition that space is an incomplete event, always in becoming. The author takes the liberty of transitioning between voices; changing places as observer and observed, cataloguing and producing the space simultaneously. The photographs assert authentic presences. Situated in a students’ park in an Indian university campus, this text uses what Jacques Derrida calls the absence of the center to refer to the reader’s equal power to produce and ascribe meaning to the space. This students’ park acts like a Derridaean heterotopia where there is the coexistence of various orders of local and global without the prevalence of any.","PeriodicalId":42146,"journal":{"name":"Architecture and Culture","volume":"10 1","pages":"195 - 204"},"PeriodicalIF":1.1000,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Architecture and Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20507828.2022.2057009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract This piece is a creative intervention in the trope of research article writing. This ‘Poetic Dispatch’ is a response to be sent to the readers of this scholarly journal. It transgresses and extends the limit of its readership and genre by employing the ode form of poetic expression. It stresses Doreen Massey’s proposition that space is an incomplete event, always in becoming. The author takes the liberty of transitioning between voices; changing places as observer and observed, cataloguing and producing the space simultaneously. The photographs assert authentic presences. Situated in a students’ park in an Indian university campus, this text uses what Jacques Derrida calls the absence of the center to refer to the reader’s equal power to produce and ascribe meaning to the space. This students’ park acts like a Derridaean heterotopia where there is the coexistence of various orders of local and global without the prevalence of any.
期刊介绍:
Architecture and Culture, the international award winning, peer-reviewed journal of the Architectural Humanities Research Association, investigates the relationship between architecture and the culture that shapes and is shaped by it. Whether culture is understood extensively, as shared experience of everyday life, or in terms of the rules and habits of different disciplinary practices, Architecture and Culture asks how architecture participates in and engages with it – and how both culture and architecture might be reciprocally transformed. Architecture and Culture publishes exploratory research that is purposively imaginative, rigorously speculative, visually and verbally stimulating. From architects, artists and urban designers, film-makers, animators and poets, from historians of culture and architecture, from geographers, anthropologists and other social scientists, from thinkers and writers of all kinds, established and new, it solicits essays, critical reviews, interviews, fictional narratives in both images and words, art and building projects, and design hypotheses. Architecture and Culture aims to promote a conversation between all those who are curious about what architecture might be and what it can do.