{"title":"One Dream Man versus Twenty-Five Women with Dreams: Gender and Ambition in the Bachelor Japan","authors":"Alexandra Hambleton","doi":"10.1080/10371397.2021.1891873","DOIUrl":null,"url":null,"abstract":"ABSTRACT With a flashy montage, viewers of television show The Bachelor Japan (2017–present) are introduced to Japan’s inaugural bachelor, 35-year-old Kubo Hirotake. Kubo is described as everything women in Japan are said to want – he is tall, handsome, sporty, highly educated, and most importantly, rich. In the program Kubo is presented with a pool of 25 potential marriage partners and charged with finding the woman of his dreams in what producers describe as the ultimate modern fairy tale, a ‘heated battle’ for the heart of the perfect man. Appearing at a time in Japan when marriage rates are at an all-time low and young people increasingly deem romantic love unimportant to their lives, the program may on initial viewing be a treatise on the importance of marriage. On closer inspection however, the politics of The Bachelor Japan reveal the dreams of contemporary Japanese women and the pressures they face surviving a society hostile to their independence. In this article I argue that The Bachelor Japan, far from following the traditional fairy tale narrative in which a woman is rescued by a handsome prince, instead shows women on a completely new path – one on which they may become princesses on their own terms.","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":"41 1","pages":"23 - 39"},"PeriodicalIF":0.4000,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10371397.2021.1891873","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Japanese Studies","FirstCategoryId":"1090","ListUrlMain":"https://doi.org/10.1080/10371397.2021.1891873","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"AREA STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT With a flashy montage, viewers of television show The Bachelor Japan (2017–present) are introduced to Japan’s inaugural bachelor, 35-year-old Kubo Hirotake. Kubo is described as everything women in Japan are said to want – he is tall, handsome, sporty, highly educated, and most importantly, rich. In the program Kubo is presented with a pool of 25 potential marriage partners and charged with finding the woman of his dreams in what producers describe as the ultimate modern fairy tale, a ‘heated battle’ for the heart of the perfect man. Appearing at a time in Japan when marriage rates are at an all-time low and young people increasingly deem romantic love unimportant to their lives, the program may on initial viewing be a treatise on the importance of marriage. On closer inspection however, the politics of The Bachelor Japan reveal the dreams of contemporary Japanese women and the pressures they face surviving a society hostile to their independence. In this article I argue that The Bachelor Japan, far from following the traditional fairy tale narrative in which a woman is rescued by a handsome prince, instead shows women on a completely new path – one on which they may become princesses on their own terms.