La musica nel Regolamento scolastico della Collegiata di San Candido del 1614

Giulia Gabrielli
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引用次数: 1

Abstract

This contribution examines the school regulations of the Collegiate Church of San Candido / Chorherrenstift Innichen, the oldest monastic foundation in South Tyrol, which experienced great cultural and musical ferment in the period immediately following the Council of Trent. In the first two decades of the 17th century, the Collegiate Church of San Candido was completely reformed according to the dictates and spirit of the Council. Many new books were compiled for liturgical singing, currently preserved in the Museum of the Collegiate Church. The school of the Church, which was active for many centuries, also received renewed attention and a new statute, drawn up in 1614. The seven chapters that make up the statute contain rules that describe the musical activities related to teaching and those of the Latin students as well as of the so-called Germanic students, namely boys and girls who, unlike the former, attended classes but did not provide regular service in the liturgy. In its broad outline, the document is known to us through the writings of local historians, but has never been examined from a musicological point of view, despite the richness of its musical and pedagogical contents. The article provides a first overview of these, highlighting aspects of the regulations that appear modern, and partly even relevant for today.
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音乐在1614年圣坎迪多学院的校规中
这篇文章考察了圣坎迪多/ Chorherrenstift Innichen大学教堂的学校规定,这是南蒂罗尔最古老的修道院基金会,在特伦特会议之后的一段时间里经历了巨大的文化和音乐发酵。在17世纪的头二十年里,圣坎迪多大学教堂根据议会的指示和精神进行了彻底的改革。许多新编写的书为礼仪歌唱,目前保存在大学教堂的博物馆。活跃了许多世纪的教会学校也重新受到关注,并于1614年制定了新的法规。组成章程的七个章节包含了与教学有关的音乐活动的规则,以及拉丁学生和所谓的日耳曼学生的音乐活动,即男孩和女孩,与前者不同,他们上课但不定期参加礼拜仪式。在它的大致轮廓中,我们通过当地历史学家的著作了解到这份文件,但从未从音乐学的角度进行过研究,尽管它的音乐和教学内容丰富。本文提供了这些方面的第一个概述,重点介绍了现代法规的各个方面,部分甚至与今天相关。
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