Examination and Analysis of an Unlabeled Artifact in the University of Alberta’s W.G. Hardy Classics Museum

Keenan Walker
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Abstract

In one of the display cases at the University of Alberta’s W.G. Hardy Classics Museum is a remarkably intact, but unlabeled and unnumbered classical artifact. This artifact, while rather basic in painting and design, is nonetheless unique and offers intriguing questions as to its contextual origins. It is the purpose of this paper to offer an examination and analysis of this artifact. This will be accomplished by first exploring the artifact’s shape and artistic features. Then, the artifact’s date as well as its most probable geographical location of production will be explored. Finally, a speculation of the artifact’s usage, deposition, and purpose will be offered. Through this examination and analysis the artifact will be seen not as a basic classical ceramic lacking in great detail or pomp, but rather as a unique artifact with a rich contextual origins and much to offer the viewer in regards to the cultural extent of Greek colonization in Magna Graecia.
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阿尔伯塔大学哈代经典博物馆一件未标记文物的检验与分析
在阿尔伯塔大学(University of Alberta)的哈代经典博物馆(W.G. Hardy Classics Museum)的一个陈列柜里,有一件完好无损的经典文物,但没有标签,也没有编号。这件工艺品,虽然在绘画和设计方面相当基础,但仍然是独特的,并提供了关于其背景起源的有趣问题。本文的目的是对该工件进行检查和分析。这将通过首先探索人工制品的形状和艺术特征来完成。然后,将探索器物的日期以及最可能的生产地理位置。最后,将提供对人工制品的用途、沉积和目的的推测。通过这种检查和分析,文物将不会被视为缺乏细节或华丽的基本古典陶瓷,而是作为一种独特的文物,具有丰富的背景起源,并为观众提供了关于希腊殖民在大希腊的文化程度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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