{"title":"La “Sala del Fresco” de Micenas. Revisión de las interpretaciones del programa iconográfico y nueva lectura en relación a los espacios.","authors":"Pelayo Huerta Segovia","doi":"10.6018/PANTAREI/2019/05","DOIUrl":null,"url":null,"abstract":"espanolEn el presente estudio se aborda el programa iconografico de la “Sala del Fresco” de Micenas con el objetivo de entender el significado de las pinturas, el proposito por el cual fueron concebidas, asi como su relacion con la actividad ritual del lugar. Para ello, revisando las teorias existentes, se procedera al analisis y a la interpretacion de cada una de las figuras y de los motivos decorativos. Por ultimo, se atiende al contexto arqueologico de la estancia y del resto de espacios con el fin de establecer un posible vinculo con otras salas vecinas del “Centro cultual”, cuya relacion es clave para una nueva lectura de las pinturas. EnglishThe present study addresses the iconographic program of the ‘Room 31’ at Mycenae with the aim of understanding the meaning of the paintings, the purpose for which they were created as well as their relationship with the ritual activity carried out in the place. To that end, while reviewing the existing theories, we will proceed to the analysis and interpretation of each figure and the decorative motifs. To conclude, we will keep in mind the archaeological context of the room and the rest of the spaces in order to determinate a possible link with other nearby rooms of the ‘Cultual Center’, whose relationship is essential to give a new interpretation of the paintings.","PeriodicalId":40695,"journal":{"name":"Panta Rei-Revista Digital de Ciencia y Didactica de la Historia","volume":"1 1","pages":"91-112"},"PeriodicalIF":0.5000,"publicationDate":"2019-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Panta Rei-Revista Digital de Ciencia y Didactica de la Historia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.6018/PANTAREI/2019/05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 1
Abstract
espanolEn el presente estudio se aborda el programa iconografico de la “Sala del Fresco” de Micenas con el objetivo de entender el significado de las pinturas, el proposito por el cual fueron concebidas, asi como su relacion con la actividad ritual del lugar. Para ello, revisando las teorias existentes, se procedera al analisis y a la interpretacion de cada una de las figuras y de los motivos decorativos. Por ultimo, se atiende al contexto arqueologico de la estancia y del resto de espacios con el fin de establecer un posible vinculo con otras salas vecinas del “Centro cultual”, cuya relacion es clave para una nueva lectura de las pinturas. EnglishThe present study addresses the iconographic program of the ‘Room 31’ at Mycenae with the aim of understanding the meaning of the paintings, the purpose for which they were created as well as their relationship with the ritual activity carried out in the place. To that end, while reviewing the existing theories, we will proceed to the analysis and interpretation of each figure and the decorative motifs. To conclude, we will keep in mind the archaeological context of the room and the rest of the spaces in order to determinate a possible link with other nearby rooms of the ‘Cultual Center’, whose relationship is essential to give a new interpretation of the paintings.