“Riffraff” On the Waterfront: A Critical Analysis of Labor Imagery on the Imagined Docks of the Hollywood Dream Factory, 1934–1937

Abstract

Abstract At the height of the Great Depression, the American Labor Movement was ascendant as union strongholds and the belief in the power of collective action and labor solidarity were re-asserted. The energy and activism along the west-coast waterfront fomented the resurgent movement. With the revitalization of the International Longshoremen’s Union in 1933 came a succession of events that captured the American populace’s attention, including mass demonstrations and coast-wide general strikes. With this surge of events on the west-coast waterfront, from 1934 to 1937, there was a corresponding flurry of imagery disseminated to the American populace using the west-coast waterfront as a constant backdrop. Thus, an examination of the issues posed and the reality suppressed by this imagery is a crucial part of understanding how collective action and union organization exist in American visual culture. A critical evaluation of the specific ways that these Hollywood portrayals do damage to the image and perception of organized labor will allow for a confrontation with the structures of power upheld and held in tension through the dissemination of these films. This study will involve a close analysis of the following films: Fog over Frisco, Wharf Angel, Waterfront Lady, Barbary Coast, Frisco Kid, San Francisco and Mannequin.