{"title":"Rapid Response: Comics in and of the moment. A Graphic Submission","authors":"Louisa Buck","doi":"10.16995/cg.6468","DOIUrl":null,"url":null,"abstract":"The Political cartoon, by its nature, provides comment as events unfold and part of its power can be simply understood by 'the satisfaction the successful cartoon gives us simply by its neat summing up, \"a momentary focus.\" (Gombrich 1994) Described by Punch magazine as an index of time, political cartoons can serve as important historic documents, 'Cartoons can be useful illustrations that catch the eye of the reader, but they are far more valuable as evidence of an important set of dynamic social and political relationships.' (Howells and Matson 2009). Baudelaire saw the cartoon as an art form that could find 'the fantastic in the real and conversely' depict 'the reality of the fantastic in contemporary life.' (Hannoosh 1992) In short, cartoons and caricature became an art that represented real life for real people, took the banal and made it interesting, the ugly and made it beautiful and turned the transitory and ephemeral into eternal truths.In late 2019 the political cartoonist Martin Rowson began a #draw challenge on twitter. Many cartoonists (and others) picked up the gauntlet and a large body of rapid response artworks have been created. this graphic submission includes my own work that was created in particular response to the #DrawTheCoronaVirus in collaboration with The Cartoon Museum. Also, as yet unpublished, a modernised Aesop fable strip in response to the #DrawBorisJohnson challenge; 'The Toad and the Scorpion' follows the news events unfolding in the UK during the first lockdown beginning in March 23rd 2020.In late@font-face{font-family:Cambria;panose-1:2 4 5 3 5 4 6 3 2 4;mso-font-charset:0;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:3 0 0 0 1 0;}@font-face{font-family:font491;panose-1:0 0 0 0 0 0 0 0 0 0;mso-font-alt:Cambria;mso-font-charset:0;mso-generic-font-family:auto;mso-font-format:other;mso-font-pitch:auto;mso-font-signature:99592203 597701894 0 0 524289 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-parent:\"\";margin:0cm;margin-bottom:.0001pt;mso-pagination:widow-orphan;font-size:12.0pt;font-family:\"Times New Roman\";mso-ascii-font-family:Cambria;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Cambria;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Cambria;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:\"Times New Roman\";mso-bidi-theme-font:minor-bidi;}p.MsoFootnoteText, li.MsoFootnoteText, div.MsoFootnoteText{mso-style-noshow:yes;mso-style-link:\"Footnote Text Char\";margin:0cm;margin-bottom:.0001pt;mso-pagination:widow-orphan;font-size:12.0pt;font-family:\"Times New Roman\";mso-ascii-font-family:Cambria;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Cambria;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Cambria;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:\"Times New Roman\";mso-bidi-theme-font:minor-bidi;}span.MsoFootnoteReference{mso-style-noshow:yes;vertical-align:super;}a:link, span.MsoHyperlink{mso-style-noshow:yes;color:blue;text-decoration:underline;text-underline:single;}a:visited, span.MsoHyperlinkFollowed{mso-style-noshow:yes;color:purple;text-decoration:underline;text-underline:single;}span.FootnoteTextChar{mso-style-name:\"Footnote Text Char\";mso-style-noshow:yes;mso-style-locked:yes;mso-style-link:\"Footnote Text\";mso-ansi-language:EN-GB;}div.Section1{page:Section1;}","PeriodicalId":41800,"journal":{"name":"Comics Grid-Journal of Comics Scholarship","volume":" ","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2021-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Comics Grid-Journal of Comics Scholarship","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.16995/cg.6468","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
The Political cartoon, by its nature, provides comment as events unfold and part of its power can be simply understood by 'the satisfaction the successful cartoon gives us simply by its neat summing up, "a momentary focus." (Gombrich 1994) Described by Punch magazine as an index of time, political cartoons can serve as important historic documents, 'Cartoons can be useful illustrations that catch the eye of the reader, but they are far more valuable as evidence of an important set of dynamic social and political relationships.' (Howells and Matson 2009). Baudelaire saw the cartoon as an art form that could find 'the fantastic in the real and conversely' depict 'the reality of the fantastic in contemporary life.' (Hannoosh 1992) In short, cartoons and caricature became an art that represented real life for real people, took the banal and made it interesting, the ugly and made it beautiful and turned the transitory and ephemeral into eternal truths.In late 2019 the political cartoonist Martin Rowson began a #draw challenge on twitter. Many cartoonists (and others) picked up the gauntlet and a large body of rapid response artworks have been created. this graphic submission includes my own work that was created in particular response to the #DrawTheCoronaVirus in collaboration with The Cartoon Museum. Also, as yet unpublished, a modernised Aesop fable strip in response to the #DrawBorisJohnson challenge; 'The Toad and the Scorpion' follows the news events unfolding in the UK during the first lockdown beginning in March 23rd 2020.In late@font-face{font-family:Cambria;panose-1:2 4 5 3 5 4 6 3 2 4;mso-font-charset:0;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:3 0 0 0 1 0;}@font-face{font-family:font491;panose-1:0 0 0 0 0 0 0 0 0 0;mso-font-alt:Cambria;mso-font-charset:0;mso-generic-font-family:auto;mso-font-format:other;mso-font-pitch:auto;mso-font-signature:99592203 597701894 0 0 524289 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-parent:"";margin:0cm;margin-bottom:.0001pt;mso-pagination:widow-orphan;font-size:12.0pt;font-family:"Times New Roman";mso-ascii-font-family:Cambria;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Cambria;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Cambria;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;}p.MsoFootnoteText, li.MsoFootnoteText, div.MsoFootnoteText{mso-style-noshow:yes;mso-style-link:"Footnote Text Char";margin:0cm;margin-bottom:.0001pt;mso-pagination:widow-orphan;font-size:12.0pt;font-family:"Times New Roman";mso-ascii-font-family:Cambria;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Cambria;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Cambria;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;}span.MsoFootnoteReference{mso-style-noshow:yes;vertical-align:super;}a:link, span.MsoHyperlink{mso-style-noshow:yes;color:blue;text-decoration:underline;text-underline:single;}a:visited, span.MsoHyperlinkFollowed{mso-style-noshow:yes;color:purple;text-decoration:underline;text-underline:single;}span.FootnoteTextChar{mso-style-name:"Footnote Text Char";mso-style-noshow:yes;mso-style-locked:yes;mso-style-link:"Footnote Text";mso-ansi-language:EN-GB;}div.Section1{page:Section1;}