Rapid Response: Comics in and of the moment. A Graphic Submission

IF 0.5 0 HUMANITIES, MULTIDISCIPLINARY Comics Grid-Journal of Comics Scholarship Pub Date : 2021-11-07 DOI:10.16995/cg.6468
Louisa Buck
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引用次数: 0

Abstract

The Political cartoon, by its nature, provides comment as events unfold and part of its power can be simply understood by 'the satisfaction the successful cartoon gives us simply by its neat summing up, "a momentary focus." (Gombrich 1994) Described by Punch magazine as an index of time, political cartoons can serve as important historic documents, 'Cartoons can be useful illustrations that catch the eye of the reader, but they are far more valuable as evidence of an important set of dynamic social and political relationships.' (Howells and Matson 2009). Baudelaire saw the cartoon as an art form that could find 'the fantastic in the real and conversely' depict 'the reality of the fantastic in contemporary life.' (Hannoosh 1992) In short, cartoons and caricature became an art that represented real life for real people, took the banal and made it interesting, the ugly and made it beautiful and turned the transitory and ephemeral into eternal truths.In late 2019 the political cartoonist Martin Rowson began a #draw challenge on twitter. Many cartoonists (and others) picked up the gauntlet and a large body of rapid response artworks have been created. this graphic submission includes my own work that was created in particular response to the #DrawTheCoronaVirus in collaboration with The Cartoon Museum. Also, as yet unpublished, a modernised Aesop fable strip in response to the #DrawBorisJohnson challenge; 'The Toad and the Scorpion' follows the news events unfolding in the UK during the first lockdown beginning in March 23rd 2020.In late@font-face{font-family:Cambria;panose-1:2 4 5 3 5 4 6 3 2 4;mso-font-charset:0;mso-generic-font-family:auto;mso-font-pitch:variable;mso-font-signature:3 0 0 0 1 0;}@font-face{font-family:font491;panose-1:0 0 0 0 0 0 0 0 0 0;mso-font-alt:Cambria;mso-font-charset:0;mso-generic-font-family:auto;mso-font-format:other;mso-font-pitch:auto;mso-font-signature:99592203 597701894 0 0 524289 0;}p.MsoNormal, li.MsoNormal, div.MsoNormal{mso-style-parent:"";margin:0cm;margin-bottom:.0001pt;mso-pagination:widow-orphan;font-size:12.0pt;font-family:"Times New Roman";mso-ascii-font-family:Cambria;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Cambria;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Cambria;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;}p.MsoFootnoteText, li.MsoFootnoteText, div.MsoFootnoteText{mso-style-noshow:yes;mso-style-link:"Footnote Text Char";margin:0cm;margin-bottom:.0001pt;mso-pagination:widow-orphan;font-size:12.0pt;font-family:"Times New Roman";mso-ascii-font-family:Cambria;mso-ascii-theme-font:minor-latin;mso-fareast-font-family:Cambria;mso-fareast-theme-font:minor-latin;mso-hansi-font-family:Cambria;mso-hansi-theme-font:minor-latin;mso-bidi-font-family:"Times New Roman";mso-bidi-theme-font:minor-bidi;}span.MsoFootnoteReference{mso-style-noshow:yes;vertical-align:super;}a:link, span.MsoHyperlink{mso-style-noshow:yes;color:blue;text-decoration:underline;text-underline:single;}a:visited, span.MsoHyperlinkFollowed{mso-style-noshow:yes;color:purple;text-decoration:underline;text-underline:single;}span.FootnoteTextChar{mso-style-name:"Footnote Text Char";mso-style-noshow:yes;mso-style-locked:yes;mso-style-link:"Footnote Text";mso-ansi-language:EN-GB;}div.Section1{page:Section1;}
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快速反应:漫画的时刻。图形提交
政治漫画本质上是随着事件的展开而提供评论的,其力量的一部分可以简单地理解为“成功的漫画通过其简洁的总结给我们的满足感,”一个短暂的焦点,“漫画可以是吸引读者眼球的有用插图,但作为一系列重要的动态社会和政治关系的证据,它们的价值要高得多。”(Howells和Matson,2009年)。波德莱尔将漫画视为一种艺术形式,可以在现实中发现“幻想”,反过来也可以“描绘”当代生活中“幻想的现实”(Hannoosh 1992)简言之,漫画和漫画成为一种艺术,代表了真实的人的真实生活,取平庸而有趣,取丑陋而美丽,将短暂和短暂变成永恒的真理。2019年末,政治漫画家马丁·罗森在推特上发起了一场#绘画挑战。许多漫画家(和其他人)接受了挑战,创作了大量快速反应的艺术品。这张图片包括我自己的作品,这是我与卡通博物馆合作为应对#DrawTheCoronaVirus而创作的。此外,作为对#DrawBorisJohnson挑战的回应,一部现代化的伊索寓言漫画尚未出版;”《蟾蜍与蝎子》讲述了2020年3月23日开始的第一次封锁期间英国发生的新闻事件late@font-face{font-family:Cambria;panose-1:24 5 3 5 4 6 2 4;mso字体字符集:0;mso通用字体系列:auto;mso间距:可变;mso字号签名:3 0 0 0 1 0;}@font face{font-family:font491;panose-1-00 0 0 0 0;mso-font-alt:Cambria;mso-for-charset:0;mso-fon-general字体系列:autom;mso-font-font-format:other;mso-fint-pitch:auto;mso-字体签名:99592003 597701894 0 524289 0;}。MsoNormal,li.MoNormal,div.MsoNormal{mso-style parent:“”;margin:0cm;margin-bottom:.0001pt;mso分页:寡妇孤儿;字体大小:12.0pt;字体家族:“Times New Roman”;mso-ascii字体家族:Cambria;mso-asii主题字体:小拉丁;mso-fareast字体家族:坎布里亚;mso-freeast主题字体:小拉丁;mso-hansi字体家族;mso-bidi主题字体:minor bidi;}p.MsoFootnoteText,li.MsoFootnoteText,div.MsoFootnoteText{mso-style noshow:yes;mso-style-link:“Footnote Text Char”;边距:0cm;边距底部:.0001pt;mso分页:寡妇孤儿;字体大小:12.0pt;字体家族:“Times New Roman”;mso-ascii字体家族:Cambria;mso-ascii主题字体:小拉丁文;mso-fareast字体家族:Cambria;mso-fareast主题字体:小拉丁文;mso-hansi字体家族:坎布里亚;mso-hansi主题字体:小拉丁文;mso-bidi字体家族:“Times New Roman”;mso-bidi主题字体:minor bidi;}跨度MsoFootnoteReference{mso-style noshow:yes;vertical-align:super;}a:链接,span。MsoHyperlink{mso-style noshow:yes;color:blue;text decoration:下划线;text underline:single;}a:visited,span。MsoHyperlinkFollowed{mso-style noshow:yes;color:purple;text decoration:下划线;text underline:single;}span。FootnoteTextChar{mso-style-name:“Footnote Text Char”;mso-style-noshow:yes;mso-sttyle-locked:yes;mso-stype-link:“Footnotes Text”;mso-ansi language:EN-GB;}div。Section1{页码:Section1;}
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来源期刊
Comics Grid-Journal of Comics Scholarship
Comics Grid-Journal of Comics Scholarship HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
4
审稿时长
20 weeks
期刊最新文献
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