P(l)aying Attention: Wilding Correspondence as Methodological Possibility

B. Hofsess, M. Rhoades
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Abstract

There is an overwhelming focus on scholarly agendas in the field of qualitative inquiry, yet what about scholarly attention? In responding to this question, the authors draw upon Ingold’s (2018) conceptualization of research as becoming “a practice of correspondence,” locating their methodological curiosity and wondering “in the world that affect proposed” (Stewart, 2017). Thinking with these questions and with theorists invited stories, stories invited photographs, photographs invited packages. Letters, poetic ruminations, artworks, time, and conversations unfurled—seeds opening and dissipating across currents of air. Sparked by various understandings of correspondence, the authors created degrees, conditions, and propositions for attending to how correspondence becomes with attention. The authors evoke the concept of p(l)aying—playing and paying attention as minor gestures that open potential for inquiry. Each variation sparked circuits of matter and mattering, as the authors attuned to the question, What might be learned from arts-based approaches to p(l)aying attention to scholarly attention?
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P(1)注意:作为方法学可能性的野性对应
在定性研究领域,学术议程受到了压倒性的关注,但学术关注呢?在回答这个问题时,作者借鉴了Ingold(2018)将研究概念化为“一种对应的实践”,将他们的方法论好奇心和疑惑定位在“影响所提出的世界”中(Stewart,2017)。思考这些问题和理论家邀请的故事,故事邀请的照片,照片邀请的包裹。信件、诗意的沉思、艺术品、时间和对话展开了——种子在气流中打开并消散。在对通信的各种理解的启发下,作者创造了关注通信如何引起注意的程度、条件和命题。作者们唤起了p(l)aying的概念——玩耍和注意力是打开探究潜力的微小手势。每一种变化都引发了物质和物质的循环,因为作者们适应了这样一个问题:从基于艺术的方法中可以学到什么来将注意力转移到学术注意力?
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