{"title":"Esplendor de Portugal, oscuridad de Angola: la historia desde la memoria","authors":"Luz Eugenia Aguilar González, Mayra Margarito Gaspar","doi":"10.15174/RV.V13I27.491","DOIUrl":null,"url":null,"abstract":"Splendor of Portugal, novel written by Antonio Lobo Antunes, presents the history of Angola's independence and the return of the Portugueses to Lisbon (retornados), as a metaphor of the colonial collapse (history), from the subjectivity (the memory) of the characters. The fictional strategies disclose that the novel does not depict a historical narrative, but personal story. \nThe study of the narrative, discursive and thematic structures is based on elements of the Possible Worlds Theory, as well as Bakhtin´s conceptions of chronotope and polyphony. The historical analysis allows us to observe that time is the axis of the narrative structure of the novel and, at the same time, allows us to understand the way in which historical events are used to build a literary world. \nThis research reveals that the fictionalization process and the aesthetics of the novel are supported not only on the memory of the characters, but on the real and internal time. Protagonists are psychically and spatially delocalized. This delocalized feeling causes them loss they identity and turn them in to the retornados. Other characteristics are the discursive fragmentation, the temporal discontinuities of the story, and the delirious memory of the characters. The novel uses metaphors, thematizations, dialogues and typographic strategies to create a literary language. These devices express the linguistic beauty to emphasize a contrast with the sordid theme of the novel, in order to achieve an aesthetic balance.","PeriodicalId":40683,"journal":{"name":"Valenciana","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2020-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Valenciana","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15174/RV.V13I27.491","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0
Abstract
Splendor of Portugal, novel written by Antonio Lobo Antunes, presents the history of Angola's independence and the return of the Portugueses to Lisbon (retornados), as a metaphor of the colonial collapse (history), from the subjectivity (the memory) of the characters. The fictional strategies disclose that the novel does not depict a historical narrative, but personal story.
The study of the narrative, discursive and thematic structures is based on elements of the Possible Worlds Theory, as well as Bakhtin´s conceptions of chronotope and polyphony. The historical analysis allows us to observe that time is the axis of the narrative structure of the novel and, at the same time, allows us to understand the way in which historical events are used to build a literary world.
This research reveals that the fictionalization process and the aesthetics of the novel are supported not only on the memory of the characters, but on the real and internal time. Protagonists are psychically and spatially delocalized. This delocalized feeling causes them loss they identity and turn them in to the retornados. Other characteristics are the discursive fragmentation, the temporal discontinuities of the story, and the delirious memory of the characters. The novel uses metaphors, thematizations, dialogues and typographic strategies to create a literary language. These devices express the linguistic beauty to emphasize a contrast with the sordid theme of the novel, in order to achieve an aesthetic balance.
安东尼奥·洛博·安图内斯(Antonio Lobo Antunes)的小说《葡萄牙的辉煌》(Splendor of Portugal)呈现了安哥拉独立的历史和葡萄牙人返回里斯本(re龙卷风),从人物的主体性(记忆)中隐喻了殖民崩溃(历史)。小说的虚构策略表明,小说描写的不是历史叙事,而是个人故事。对叙事、话语和主题结构的研究是基于可能世界理论的元素,以及巴赫金的时位和复调的概念。历史分析可以让我们观察到时间是小说叙事结构的轴心,同时也可以让我们理解历史事件是如何被用来构建文学世界的。研究表明,小说的虚构化过程和小说的美学不仅有人物记忆的支撑,而且有真实的内在时间的支撑。主角在心理上和空间上都是非局域化的。这种局域的感觉使他们失去了身份,并把他们交给了龙卷风。其他的特点是话语的支离破碎,故事的时间不连续性,以及人物的神志不清的记忆。小说运用隐喻、主题化、对话和排版策略来创造一种文学语言。这些手法通过表达语言之美来强调与小说的污秽主题形成对比,从而达到审美的平衡。