{"title":"Volume 51 (2021)","authors":"","doi":"10.1086/716484","DOIUrl":null,"url":null,"abstract":"SWÄRDH, ANNA James Bell’s Narrative of Cecilia Vasa’s Journey to England: Travelogue as Encomium (pages 1–30) This essay examines James Bell’s narrative of the Swedish princess Cecilia Vasa’s journey to England in 1564–1565with focus on the representation of Elizabeth I and Cecilia. The essay argues that the narrative is best understood as a travelogue whose rhetorical function is that of an encomium, celebrating first of all Elizabeth, but also Cecilia and the two women’s relationship. In doing this, the text partakes in contemporary constructions of Elizabeth as potent yet female ruler through its deployment of the so-called rhetoric of love and through its use of iconography that depicts Elizabeth as wise and legitimate ruler. By positing Cecilia as lover of Elizabeth, Bell extends the discourse of love to foreign royalty and a potential political ally; a special bond between the two is set up in ways that would have been accessible to contemporary readers more broadly but also through imagery that would have connected the two in ways open to a more select readership. While the relative status between Elizabeth and Cecilia is maintained throughout the travelogue, Bell celebrates the venture of the journey itself, and thus the meeting of the two women in a way that defines it as a diplomatic exchange with the specific purpose of furthering contact, dialogue, and goodwill between the two countries. [A.S.]","PeriodicalId":44199,"journal":{"name":"ENGLISH LITERARY RENAISSANCE","volume":null,"pages":null},"PeriodicalIF":0.6000,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ENGLISH LITERARY RENAISSANCE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/716484","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
引用次数: 0
Abstract
SWÄRDH, ANNA James Bell’s Narrative of Cecilia Vasa’s Journey to England: Travelogue as Encomium (pages 1–30) This essay examines James Bell’s narrative of the Swedish princess Cecilia Vasa’s journey to England in 1564–1565with focus on the representation of Elizabeth I and Cecilia. The essay argues that the narrative is best understood as a travelogue whose rhetorical function is that of an encomium, celebrating first of all Elizabeth, but also Cecilia and the two women’s relationship. In doing this, the text partakes in contemporary constructions of Elizabeth as potent yet female ruler through its deployment of the so-called rhetoric of love and through its use of iconography that depicts Elizabeth as wise and legitimate ruler. By positing Cecilia as lover of Elizabeth, Bell extends the discourse of love to foreign royalty and a potential political ally; a special bond between the two is set up in ways that would have been accessible to contemporary readers more broadly but also through imagery that would have connected the two in ways open to a more select readership. While the relative status between Elizabeth and Cecilia is maintained throughout the travelogue, Bell celebrates the venture of the journey itself, and thus the meeting of the two women in a way that defines it as a diplomatic exchange with the specific purpose of furthering contact, dialogue, and goodwill between the two countries. [A.S.]
安娜·詹姆斯·贝尔(ANNA James Bell)对塞西莉亚·瓦萨(Cecilia Vasa)的英格兰之旅的叙述:作为安可姆的游记(第1-30页)本文考察了詹姆斯·贝尔(James Bell。文章认为,叙事最好被理解为一部游记,其修辞功能是赞美,首先庆祝伊丽莎白,也庆祝塞西莉亚和两个女人的关系。在这样做的过程中,文本通过运用所谓的爱的修辞,并通过使用将伊丽莎白描绘成明智合法的统治者的图像,参与了伊丽莎白作为一位强大而女性统治者的当代建构。通过将塞西莉亚定位为伊丽莎白的情人,贝尔将爱的话语扩展到了外国皇室和潜在的政治盟友;两者之间建立了一种特殊的联系,这种联系可以更广泛地为当代读者所接受,但也可以通过图像将两者联系起来,向更挑剔的读者开放。虽然伊丽莎白和塞西莉亚之间的相对地位在整个游记中都得到了保持,但贝尔对这段旅程本身以及两位女性的会面表示庆祝,并将其定义为一种外交交流,其具体目的是促进两国之间的接触、对话和善意。[A.S]
期刊介绍:
English Literary Renaissance is a journal devoted to current criticism and scholarship of Tudor and early Stuart English literature, 1485-1665, including Shakespeare, Spenser, Donne, and Milton. It is unique in featuring the publication of rare texts and newly discovered manuscripts of the period and current annotated bibliographies of work in the field. It is illustrated with contemporary woodcuts and engravings of Renaissance England and Europe.