Bureaucratizing Black Lives Matter murals: Racial capitalism, policing and erasure of radical politics

Q2 Social Sciences Journal of Urban Cultural Studies Pub Date : 2022-06-01 DOI:10.1386/jucs_00050_1
J. Lennon
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Abstract

In the wake of George Floyd’s murder during the summer of 2020, protestors painted large ‘BLACK LIVES MATTER’ murals on streets of the United States, forcing politicians to confront these words tattooing their cities. Each creation and reception of a Black Lives Matter (BLM) mural is entwined within the machinations of city bureaucracies whose foundations are built upon racial capitalism and is enforced by militarized police. To analyse the removal of Black Lives Matter murals is to contextualize them within this history of racialized police violence and erasure, but to do so within an environment of mundane policy-hearings. The removal of Tulsa, Oklahoma’s BLM mural by its city government will be a case study of how bureaucracy can implement ‘race neutral’ policy language that ‘leaves no choice’ but erasure. But while some conservative politicians erased BLM murals to neutralize the radical abolitionist and police reform messages, other politicians similarly embraced the creation of BLM murals as a buffer against, instead of a bridge to, making substantial structural change. Washington, DC’s famous BLM mural will be my exemplar of this type of deceptive radical performative politics. This article explores how protest movements and bureaucracies interact, focusing on how the radical demands of the BLM movement can be subsumed by ‘colour blind’ city responses and/or performative politics while pointing to larger combative histories of how race is policed within the United States.
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“黑人的命也是命”壁画的官僚化:种族资本主义、警察和激进政治的消除
2020年夏天,乔治·弗洛伊德被谋杀后,抗议者在美国街头绘制了大型“黑人的命很重要”壁画,迫使政客们直面这些在城市纹身的文字。每一幅“黑人的命也是命”(BLM)壁画的创作和接受都与城市官僚机构的阴谋交织在一起,这些官僚机构的基础建立在种族资本主义之上,并由军事化的警察执行。分析“黑人的命也是命”壁画的移除,是为了将其置于警察种族化暴力和抹杀的历史背景中,而是在世俗政策听证会的环境中进行分析。俄克拉荷马州土地管理局壁画塔尔萨市政府的拆除将是一个案例研究,说明官僚机构如何实施“种族中立”的政策语言,“别无选择”,只能删除。但是,尽管一些保守派政客抹去了土地管理局的壁画,以中和激进的废奴主义者和警察改革信息,但其他政客也同样将土地管理局壁画的创作视为对进行实质性结构变革的缓冲,而非桥梁。华盛顿特区著名的土地管理局壁画将是我这种欺骗性激进表演政治的典范。这篇文章探讨了抗议运动和官僚机构是如何互动的,重点是土地管理局运动的激进要求如何被“色盲”的城市反应和/或表演政治所包容,同时指出了美国种族政策的更大的斗争历史。
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来源期刊
Journal of Urban Cultural Studies
Journal of Urban Cultural Studies Social Sciences-Cultural Studies
CiteScore
0.50
自引率
0.00%
发文量
7
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