The Čakovec Stone Bust Collection: New Identifications, Possible Dating and the Identity of its Commissioner

Bálint Ugry, Maja Žvorc
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Abstract

The Museum of Međimurje in Čakovec, situated within a former Zrinski residence, stores a stone bust collection containing portraits of 17th-century Croatian and Hungarian dignitaries. Most of the identified portraits have been modelled on Elias Widemann’s engravings from the series Icones Illustrium Heroum Hungariae. So far researchers have formed two opposing opinions concerning the collection’s interpretation: while some claim the collection was commissioned by the Zrinski family during the second half of the 17th century, others insist it was commissioned by the Festetics in the 1820s. This article proposes another engraved portrait series as a model for the collection, namely Franz Leopold Schmittner’s engravings published in Corpus Juris Hungarici (1751), which can be used to confirm or newly establish the identity of seven busts. The authors examine in what way this new find affects the interpretation of the collection’s commission and its contextualization within Croatian and Hungarian art.
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恰科维奇石像收藏:新的标识、可能的年代及其专员的身份
恰科维奇的梅季穆尔杰博物馆位于兹林斯基故居内,收藏了一批17世纪克罗地亚和匈牙利政要的半身像。大多数已确认的肖像都是以Elias Widemann的版画为模型的,这些版画来自《Hungariae的标志性光辉》系列。到目前为止,研究人员对该藏品的解释形成了两种相反的意见:一些人声称该藏品是17世纪下半叶由兹林斯基家族委托制作的,另一些人则坚称该藏品是19世纪20年代由费斯蒂斯家族委托制作。本文提出了另一个雕刻肖像系列作为收藏的模型,即弗朗茨·利奥波德·施米特纳在《匈牙利法律大全》(1751)上发表的版画,该系列可以用来确认或新确立七尊半身像的身份。作者研究了这一新发现如何影响对藏品委托的解释及其在克罗地亚和匈牙利艺术中的背景。
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审稿时长
27 weeks
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