From “Incentive Furie” to “Incentives to Efficiency,” or the Movement of “Incentive” in Neoclassical Thought

Q1 Arts and Humanities Advances in the History of Rhetoric Pub Date : 2018-05-01 DOI:10.1080/15362426.2018.1474045
R. McDonald
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引用次数: 1

Abstract

ABSTRACT Incentives, economists remind us, are foundational to any economy: They include strategies to induce consumers to purchase products, motivate employees to work harder, or invite businesses to new localities. This textbook term, however, has not always been yoked to economic activity per se. This essay traces the history of the term “incentive” in two phases, first, from its origin in the Latin term “incentivum,” referring to “the thing that sets the tune,” and second, from its uptake and concretization by neoclassical economic thought through Jeremy Bentham, Alfred Marshall, and Paul Samuelson. In neoclassical economics, incentives “set the tune” of behavior by compelling rational economic action through the postulates of methodological individualism, equilibration, and utility-maximization. The terminological shift of “incentive” from its poetic origins into economic thought entails that “incentives” become an objective, univocal “thing” that embeds an argument about the dangers of actions that contravene market logics.
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从“激励狂怒”到“激励效率”——兼论新古典思想中的“激励”运动
摘要经济学家提醒我们,激励措施是任何经济的基础:它们包括诱导消费者购买产品、激励员工更加努力工作或邀请企业到新的地方工作的策略。然而,这个教科书上的术语并不总是与经济活动本身联系在一起。本文分两个阶段追溯了“激励”一词的历史,第一,从它起源于拉丁语术语“激励”,指的是“定调子的东西”,第二,从它被新古典主义经济思想通过Jeremy Bentham、Alfred Marshall、,和保罗·萨缪尔森。在新古典经济学中,激励通过方法论个人主义、平衡和效用最大化的假设,通过迫使理性经济行动来“调整”行为。“激励”从其诗歌起源到经济思想的术语转变意味着“激励”成为一种客观的、单一的“东西”,它嵌入了关于违反市场逻辑的行为的危险性的争论。
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来源期刊
Advances in the History of Rhetoric
Advances in the History of Rhetoric Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
22
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