The Bergholtz Collection: Architectural Drawings of the Palaces in Jelgava and Rundale from Nationalmuseum (Stockholm)

IF 0.1 0 ART Baltic Journal of Art History Pub Date : 2020-12-27 DOI:10.12697/BJAH.2020.20.05
G. Smirnov, Tatyana Vyatchanina
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Abstract

12 architectural drawings of two prominent palaces in Courland (now Latvia), namely in Mitau (Jelgava) and Ruhental (Rundale) are to be found in the Tessin-Hårleman Collection (THC) of Nationalmuseum in Stockholm, one of the most famous gatherings of architectural drawings in Europe. They are kept in the so called Bergholtz collection which is a part of THC. The drawings of two Courland palaces make this collection of special interest for the art of the Baltic region. Who was the creator of the collection, what was the reason to compile it and what other drawings are stored there – these are the first questions to be answered in this article. Friedrich Wilhelm von Bergholtz (1699–1771) is a well-known person in Russian history of the 18th century. Born in the German Duchy of Holstein, he made three long-term visits to the Russian empire during the first half of the century, spending about 15 years there in total. The first stay (1709–1714) was connected with his father’s military service for Peter the Great, as a general-lieutenant, who took part in the Northern war. In 1721–1727 Friedrich Wilhelm von Bergholtz stayed at the
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伯格霍兹收藏:国家博物馆耶尔加瓦和伦代尔宫殿建筑图纸(斯德哥尔摩)
在斯德哥尔摩国家博物馆的tessin - ha rleman Collection (THC)中,可以找到库尔兰(现为拉脱维亚)两座著名宫殿的12幅建筑图纸,即米塔乌(耶尔加瓦)和鲁恩塔尔(伦代尔),这是欧洲最著名的建筑图纸聚集之一。它们被保存在所谓的伯格霍兹收藏中,这是THC的一部分。两个库尔兰宫殿的图纸使这个收藏对波罗的海地区的艺术特别感兴趣。谁是这个收藏的创造者,编辑它的原因是什么,还有哪些其他的图纸存储在那里——这些是本文要回答的第一个问题。弗里德里希·威廉·冯·伯格霍尔茨(1699-1771)是18世纪俄罗斯历史上的著名人物。他出生于德国的荷尔斯泰因公国,在20世纪上半叶曾三次长期访问俄罗斯帝国,总共在那里待了大约15年。第一次逗留(1709-1714)与他父亲为彼得大帝服兵役有关,他是一名中将,参加了北方战争。1721年到1727年,弗里德里希·威廉·冯·伯格霍兹住在
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期刊介绍: THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.
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