MADRE ÍNTIMA: GESTACIÓN DE LA MADRE POÉTICA. ASPECTOS POLÍTICOS EN LA CONSTRUCCIÓN DE UNA SUBJETIVIDAD MATERNA EN LAS OBRAS POÉTICAS CANTORAL Y ONIROMANCIA DE WINÉTT DE ROKHA

Abstract

This article proposes that the poetic representation of motherhood identified in Winétt de Rokha's Cantoral (1936) and Oniromancia (1943) has a political character as it is enunciated from a maternal subjectivity that is not aligned with patriarchalising cultural imperatives of the maternal role. This will be demonstrated through a propositional reading that includes theoretical categories from feminist criticism, gender and literary theory, as well as contextual, socio-cultural and political aspects.