The Legitimation of Young and Emerging Artists in Digital Platforms: The Case of Saatchi Art

Abstract

Abstract This article critically examines the way in which the legitimation of emerging artists occurs in the digitalized art market. Based on a conceptual specification of intermediaries’ practices in the legitimation process, we have conducted a case study of Saatchi Art, a pioneering digital platform for trading artworks. We perform a deductive analysis of introduction, interpretation, and selection of artists based on a variety of qualitative data. Our findings show that the legitimacy of selected artists is constructed mainly by Saatchi Art’s curatorial programs. The exclusive practice of granting legitimacy to selected artists by curators stems from symbolic capital- that has accumulated from their career in the conventional art market, thus, implying a close linkage between the offline and online art worlds. Therefore, the disintermediation that is initiated by the digital art platform gives rise to reintermediation due to the necessity of interpreting and endorsing the uncertain value of contemporary artworks and artists.